Actors
Found in 790 Collections and/or Records:
Snapshots
Sparr, Landy; Erstling, Susan; Boehnlein, James. "Sam Shepard and the Dysfunctional American Family: Therapeutic Perspectives," American Journal of Psychotherapy, Vol. XLIV, No.4 (photocopy), October 1990
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Spiral bound handwritten draft of Volador includes notes, story drafts, clippings, and photographs. Subjects and titles include: Train Film outline, Chain Chain Chain, Wayne Grace, Madagascar, Phone Call, “Apart,” Chappy, Rich Hole, Papantle, Spencer Tracy Had the Right Idea, Nightmare, How I Came by Train, Blythe, Paris, Train to Munich, and Athens, 1989-1991
Stage Notes for Magic Theater, handwritten orange notebook, 1983
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Stage set drawing sand letter from Bill Stabilie, undated
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
States of Shock (1991)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Steppenwolf Chicago Poster, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Storyboards for scenes 38, 40, 70, 119-122, and 131-133 (photocopies)
Stray Hand / Slow Dawning of a Sudden Loss, 1991-1993
Two annotated typescripts of Stray Hand(working title Slow Dawning of a Sudden Loss), 1991.
Street scenes and landscapes (42)
Synopsis for press kit draft, undated
Tape 001 Side A: “Sam and John” Side B: “Jazz” [Note: no summary available]
Series IV: Audio Material contains 28 tapes of varying audio quality. Most of the tapes feature conversations between Shepard and Dark - some recorded in person, some over the telephone. The tapes from the 1970s and 1980s form the basis of Dark’s typescript, Dialogues, in Series II. All of the cassettes have been digitized, and there are listening copies available. Archives staff have provided summaries of many, but not all, of the digitized tapes.
Tape 002 Side A: “John and SamSam Shepard discusses various developments in the process of writing a play, such as names, clothing, lifestyle.” Side B: “Darin and Mercer”
Johnny talks about an old girlfriend named Evelyn and the first time they met. He gives a description of her physical appearance and how they “made out” in a car. There are also various other things that are hard to hear or understand because of the low volume.
Tape 003 Side A: “Sam and Johnny, May 7 1983” Sam and Johnny play guitar and sing songs and discuss various things, much of which is hard to understand because of the low volume. Side B: blank, May 7, 1983
Series IV: Audio Material contains 28 tapes of varying audio quality. Most of the tapes feature conversations between Shepard and Dark - some recorded in person, some over the telephone. The tapes from the 1970s and 1980s form the basis of Dark’s typescript, Dialogues, in Series II. All of the cassettes have been digitized, and there are listening copies available. Archives staff have provided summaries of many, but not all, of the digitized tapes.
Tape 004 Side A: “Sam and John” Side B: “Women Swing”
Tape 005 Side A: “Johnny and Sam, Santa Fe July 1983” Side B: unlabeled, July 1983
Tape 006 Side A: “Johnny and Sam, Santa Fe July 1983” Side B: unlabeled , July 1983
Side A: This is a continuation from the previous tape. They continue to make of list of people in history who have and did not have the “right stuff”. Sam also talks more about filming The Right Stuff.
Side B: Sam and Johnny discuss writing the epilogue, Chuck Yeager’s abilities, how Sam is receiving scripts and conditioning for polo.
Tape 007 Side A: “Sam and John 5/5/94 Drinking and Drugs” Side B: “Me [Dark] and Scarlett talking about self remembering 5/13”, May 5, 1994, May 13, [1994]
Tape 008 Side A: “Scarlett” Side B: “Lisa Vale fan club”
Side A: Scarlett discusses with Johnny some of her favorite things such as her favorite dish, animal, weather, locale and winter sports. Johnny reads Scarlett some stories, using voices as he reads. (Note: Tape has some speed variation issues)
Side B: Sam and Johnny jokingly discuss creating The Lisa Vale Fan Club and have fun writing a drunken letter to her