Music -- Texas

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Series Description From the Series:

Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Scope and Contents From the Collection: It’s Only Rock ’N’ Roll was an indie music newspaper published in San Antonio from May 1978 to April 1982. The publication chronicled the rise of punk and New Wave music in San Antonio and Austin, reporting on national touring acts like Blondie, Elvis Costello, Patti Smith, the Ramones, the Clash and the Sex Pistols, as well as local and regional rock ’n’ roll, blues and heavy metal acts. Issues included record reviews, guest columns, nightclub listings and...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series:

This series contains a near-complete run of the newspaper from 1975-2019.

Series Description From the Series:

This series contains a near-complete run of the newspaper from 1975-2019.

Scope and Contents From the Collection:

Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.

Scope and Contents From the Collection:

Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.

Series Description From the Series:

The Oversized Materials series contains larger format photographs, Lone Star Beer articles and advertisements, posters (including several for Willie Nelson concerts), album covers, and a scrapbook.

Series Description From the Series:

Memorabilia includes a wide array of music ephemera including ticket stubs, backstage passes, badves, bumper stickers, pins and buttons, belt buckles, matchbooks, guitar picks, audio cassettes, and more.

Abstract From the Series: Series I, “Lyrics for Released Albums,” is divided chronologically into sub-series by album, one for each of his studio albums (and one live album) released between 1989 and 2021: Too Long in the Wasteland, Candyland, Where’d You Hide the Body, It Had to Happen, Walk Between the Raindrops, Saint Mary of the Woods, Live in Aught-Three, Childish Things, Just Us Kids, Complicated Game, and The Horses and the Hounds. Within each album sub-series, the lyrics — mostly hand-written on loose notepad...