Art
Found in 91 Collections and/or Records:
M. Kubelski. “Moge Ulubione I.” [Translates to “My Favorite;” Arched window with damaged screens and a rosebud blooming at the base.], 1994
This is an artificial collection of paintings and prints held by the University Archives, Texas State University. Art that is not purchased by the Texas State Galleries is considered to be part of the University Art Collection. Pieces are added to this listing when they are accessioned by the University Archives for preservation, digitization, and/or inventory control.
Maverick Crew: by R.G. Vliet. Annotated “Vliet” in pencil: Woodcut of a group of musicians plus a guitar and a microphone stand; reverse side features an unrelated image of two people
Maverick Crew: Woodblocks by Barbara Whitehead for R.G. Vliet’s Clem Maverick. Illustrations of a band with a guitar, fiddle, and banjo players; reverse side features oil derricks and a Royal typewriter, circa 1983
Mike Carroll. Untitled. [Mountain setting with single horseman leading two pack mules in a startled confrontation with a bear.]
Monarch of the Hill Country by Clemente Guzmann III, framed canvas giclee print, circa 2010
This is an artificial collection of paintings and prints held by the University Archives, Texas State University. Art that is not purchased by the Texas State Galleries is considered to be part of the University Art Collection. Pieces are added to this listing when they are accessioned by the University Archives for preservation, digitization, and/or inventory control.
Montezuma Alley woodcut, undated
New Mexico Magazine, 1988
This collection includes camera equipment, a small portfolio of Bones’ early work, color and black and white topographical photographs taken in Texas and New Mexico, page proofs, a poster and flyer advertising his books, and an edition of New Mexico magazine containing his photograph.
O.E. Berninghaus. Untitled. [American Indians on horseback with desert sage and low hills in background.]
Photographs, 1977-1988
This collection includes camera equipment, a small portfolio of Bones’ early work, color and black and white topographical photographs taken in Texas and New Mexico, page proofs, a poster and flyer advertising his books, and an edition of New Mexico magazine containing his photograph.
Photographs, color proofs from Texas Heartland: A Hill Country Year, 1975, undated
This collection includes camera equipment, a small portfolio of Bones’ early work, color and black and white topographical photographs taken in Texas and New Mexico, page proofs, a poster and flyer advertising his books, and an edition of New Mexico magazine containing his photograph.
Porfirio Salinas. Untitled. [Classic scene of toreador fighting bull.]
Porfirio Salinas. Untitled. [South Texas bluebonnet scene with shallow stream, live oak tree, flowers in bloom.]
South Texas bluebonnet scene with shallow stream, live oak tree, flowers in bloom. Article published 24 July 1964 in the College Star notes that this is a scene near Wimberley.
Portrait of Roy J. Beard
Prose fiction of the Cuban Revolution by Seymour Wenton title woodblock; reverse side features “A Christmas Thought”, circa 1975
Publication flyer for Texas West of the Pecos, poster for Texas: Images of the Landscape, 1986, undated
This collection includes camera equipment, a small portfolio of Bones’ early work, color and black and white topographical photographs taken in Texas and New Mexico, page proofs, a poster and flyer advertising his books, and an edition of New Mexico magazine containing his photograph.
Renne Hughes. Untitled. [Cowboys herding longhorn cattle through low, dry brush.]
Robert E. Lee portrait
Robert Wesley Amick. "Looking for Rustlers." [Cowboys galloping horses down into and out of a ravine.]
Robert Wesley Amick. Untitled. [Cowboys on horseback, herding cattle.]
Ross Stefan. "Cow Camp." [South Texas cattle ranch station with attached corral, windmill, two saddled horses under tree.]
South Texas cattle ranch station with attached corral, windmill, two saddled horses under tree. Described by the College Star (24 July 1964) as a "brightly done painting showing a noon scene on a ranch." The article also noted that "this painting seemed to draw the most attention of the audience after the presentation ceremonies."