Authors
Found in 3888 Collections and/or Records:
“That plan sounds fine. I doubt I can make any difference in the galleys of wealth of Benjamin____” Fax, 1 page, February 23, 1999
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
That Terrible Night, Larry L. King, 1980 - 1981
That Terrible Night, Pat Oliphant illustrations, circa 1980
“The 1st issue of Streets was done by my god daughter, [Sara] Ossama…” Handwritten, 1 page, April 16, 1995
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
The Americas Review, vol. 15, no. 1. Includes “Ghosts and Voices: Writing from Obsession;” “Notes to a Young(er) Writer,” and “Do You Know Me? I Wrote The House on Mango Street” , Spring 1987
Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.
“The article was not offensive…” Discusses being angry Handwritten on Booked Up letterhead, 2 pages, October 22, 1992
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
“The Bells,” 1 typed page, corrected
Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.
“The Booklist Interview: Sandra Cisneros” Booklist, vol 90, no 1, September 1, 1993
Publicity Material spans 1978-2014 and is divided into the following subseries: Cisneros Cover Stories; Magazines with Articles about Cisneros; Newspaper and Other Articles; Appearance Publicity; Oversized; and Book Publisher Catalogs.
“The Class on Van Dam Street", October 2000
“The Cold House” for Dennis [Mathis], 1 typed page, heavily corrected and annotated; 1 typed page, corrected
The Cowboy Way, 1986 - 1993
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
“The Crybaby,” “Draft 6” printout of email, January 2005
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
“The Dead are Dead,” 1 photocopy page with holograph corrections
Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.
The Denver Quarterly, vol. 12, no. 1. Includes “Dario Ruiz Gomez” translated from the Spanish by Sandra Cisneros (2 copies), Spring 1977
Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.
“The Devil Knows More from Being Old Than from Being the Devil,” multiple drafts, typed and holograph. Includes “My Grandmother’s Story.”
“The Diadoumenos in the Athens Museum,” 1 typed page, heavily corrected; “Two Portraits in Stone,” 1 holograph page
Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.
“The Donkey People,” 1 typed page, corrected
Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.
The Eagle and the Serpent, or My Mother and My Father
Multiple drafts and notes for each chapter, arranged in order as they appear in the novel; complete novel drafts begin in box 63
“The Four Amigas” (Las Girlfriends: Ana Castillo, Denise Chavez, Julia Alvarez, and Cisneros) (2 copies) Vanity Fair, September 1994
Publicity Material spans 1978-2014 and is divided into the following subseries: Cisneros Cover Stories; Magazines with Articles about Cisneros; Newspaper and Other Articles; Appearance Publicity; Oversized; and Book Publisher Catalogs.
“The Girl who Became a Saint – Teresa Urrea, la Santa de Cabora,” [Teresita Essay], Edited print out with email from Erasmo Guerra
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).