Authors

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Subseries Description From the Sub-Series: The largest subseries in Monographs is material relating to the writing and publication of Caramelo. Research, notes, chapter drafts, and book drafts document Cisneros’ writing process. Research files and notes provide evidence of the depth of research that went into the book, loosely based on her own family history. Included among the topics are immigration, Mexico, San Antonio, music, and war. Notes includes story development “road maps,” outlines, and files that Cisneros created on topics...

Scope and Contents From the Collection: Sumner's literary papers detail the many topics she reported on during her career, circa 1973-2015, which paralleled the rise of a viable Texas film industry. Included are college writings, newspapers with published articles, VHS tapes, microcassette tapes, interview cassette tapes (with subjects such as Bill Wittliff, Richard Linklater, Robert Duvall, Sissy Spacek, etc.), original drafts, and interview transcripts. The folder titles preceding a colon reflect Sumner’s original...

Series Description From the Series: The extensive correspondence files span 1980-2013 and are arranged alphabetically by correspondent. Every correspondent is included in the container list, and when known, organizational affiliations are listed in parenthesis. Individuals with a significant quantity of letters include: Jeffrey Abrahams; Norma Alarcón; Dorothy Allison; Julia Alvarez; Beatrix Badikian; Gertrude Baker; Ruth Behar; Ronnie Burke; Norma Cantu; Ana Castillo; Denise Chávez; Carlos Cumpián; Ted Dvoracek; Gayle...

Series Description From the Series:

Publicity Material spans 1978-2014 and is divided into the following subseries: Cisneros Cover Stories; Magazines with Articles about Cisneros; Newspaper and Other Articles; Appearance Publicity; Oversized; and Book Publisher Catalogs.

Series Description From the Series:

Publicity Material spans 1978-2014 and is divided into the following subseries: Cisneros Cover Stories; Magazines with Articles about Cisneros; Newspaper and Other Articles; Appearance Publicity; Oversized; and Book Publisher Catalogs.

Series Description

The Reviews Series contains photocopies and original reviews of Winifred Sanford’s works. The bulk of this material pertains to reviews of the 1988 printing of Windfall. Included are materials relating to the 1996 “Arts and Letters Live,” in which “Windfall” was read by Sheriden Thomas.

Series Description From the Series:

The Reviews Series contains photocopies and original reviews of Winifred Sanford’s works. The bulk of this material pertains to reviews of the 1988 printing of Windfall. Included are materials relating to the 1996 “Arts and Letters Live,” in which “Windfall” was read by Sheriden Thomas.

Series Description From the Series:

The Reviews Series contains photocopies and original reviews of Winifred Sanford’s works. The bulk of this material pertains to reviews of the 1988 printing of Windfall. Included are materials relating to the 1996 “Arts and Letters Live,” in which “Windfall” was read by Sheriden Thomas.

Series Description From the Series:

The Reviews Series contains photocopies and original reviews of Winifred Sanford’s works. The bulk of this material pertains to reviews of the 1988 printing of Windfall. Included are materials relating to the 1996 “Arts and Letters Live,” in which “Windfall” was read by Sheriden Thomas.

Series Description From the Series:

The Reviews Series contains photocopies and original reviews of Winifred Sanford’s works. The bulk of this material pertains to reviews of the 1988 printing of Windfall. Included are materials relating to the 1996 “Arts and Letters Live,” in which “Windfall” was read by Sheriden Thomas.

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Sub-Series Description From the Sub-Series: Written and co-produced by Wittliff. Starred Jessica Lange and Sam Shepard. Wittliff began as director but was replaced by Richard Pearce. 1985, Lange won Academy Award nomination. The film received the Christopher Award. Kelly Asbury drew story boards for Wittliff when he was director. Publicity contains reviews, congratulations, studio press kit, publicity junket which began in New York because movie opened the 1984 New York Film festival, final report of the screening program,...

Scope and Contents From the Series:

This series includes book reviews, magazine and newspaper articles, fliers, photographs, and realia chronicling Barrett's life as a writer.

Scope and Contents From the Collection: Sumner's literary papers detail the many topics she reported on during her career, circa 1973-2015, which paralleled the rise of a viable Texas film industry. Included are college writings, newspapers with published articles, VHS tapes, microcassette tapes, interview cassette tapes (with subjects such as Bill Wittliff, Richard Linklater, Robert Duvall, Sissy Spacek, etc.), original drafts, and interview transcripts. The folder titles preceding a colon reflect Sumner’s original...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.