Literature
Found in 6114 Collections and/or Records:
Correspondence, includes: telegram from Bob Dylan, correspondence with agent Judy Boals, and American Theater magazine regarding publication of Buried Child, 1995-1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence including: ICM correspondence regarding contract for film,1991; Grey Larsen regarding music for film, 1988, and article written for Esquire magazine about film, 1988, 1991, undated
Correspondence – letters to/from Jane Graves, Eric Nordstrom, Bill Moyers, Tim O’Brien, Ann Richards, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
Correspondence, notes, research, 1976-1977
Correspondence, notes, research
Correspondence, notes, research, recordings
Correspondence, notes, treatment
Correspondence regarding film rights, 1983-1985
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence regarding reviews, rights to publish excerpts, and foreign editions, 1996-1998
Correspondence regarding Tooth of Crime, including: correspondence from Signature Theater, 2 audiocassettes of T. Bone Burnett music, and contract for Burnett’s musical score
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence, revisions
Correspondence to Penick, 1948-1968, undated
Correspondence, treatment, notes, research
Correspondence with ALT Films about a potential adaption for Masterpiece Theatre, 1999
Correspondence with Claire Joysmith. Includes Spanish translations
Correspondence with Enrique Arteaga (father’s cousin), 1989 - 2003
Genealogy Records include documents relating to Enrique Cisneros del Moral (great-grandfather), and research on the Coredero family. Of note in this series is correspondence between Cisneros and her father’s cousin, Enrique Arteaga, about family history. Some oversized documents are housed in box 8.
Correspondence with German translators: Helga Pfetsch (1991) and Peter Koestier (1992)
Correspondence with Henry Carter, October-December 2004
Correspondence with Joseph Chaikin, 1994-1995
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence with Joseph Chaikin regarding The War in Heaven, 1995
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.