Literature

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Scope and Contents From the Series: This collection consists of archival materials relating to the career of writer, Elizabeth Crook from 1961-2018. Majority of the materials in the collection are manuscript drafts of The Which Way Tree, Monday, Monday, and others. The collection also includes screenplay drafts of The Which Way Tree; promotional materials and research for her manuscripts; correspondence between Crook, editors, and Stephen Harrigan; as well as screenplay and manuscript drafts of Harrigan’s works such as Water...

Series Description From the Series:

This small series contains four drafts of the fiction piece, “How To Live Forever,” first published in Land of the Permanent Wave.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series: The series is composed of two sub-series Published and Unpublished material. Published material starts with the first short story Shrake published, in 1959, and ending with his last novel to be published, in 2006, this sub-series is arranged chronologically according to publication date. It contains handwritten, typewritten and computer-generated drafts, proofs of all kinds, correspondence, contracts, promotional materials, research files, and press clippings. The book with the...

Series Description From the Series: The series is composed of two sub-series Published and Unpublished material. Published material starts with the first short story Shrake published, in 1959, and ending with his last novel to be published, in 2006, this sub-series is arranged chronologically according to publication date. It contains handwritten, typewritten and computer-generated drafts, proofs of all kinds, correspondence, contracts, promotional materials, research files, and press clippings. The book with the...

Series Description From the Series: The series is composed of two sub-series Published and Unpublished material. Published material starts with the first short story Shrake published, in 1959, and ending with his last novel to be published, in 2006, this sub-series is arranged chronologically according to publication date. It contains handwritten, typewritten and computer-generated drafts, proofs of all kinds, correspondence, contracts, promotional materials, research files, and press clippings. The book with the...

Series Description From the Series: The series is composed of two sub-series Published and Unpublished material. Published material starts with the first short story Shrake published, in 1959, and ending with his last novel to be published, in 2006, this sub-series is arranged chronologically according to publication date. It contains handwritten, typewritten and computer-generated drafts, proofs of all kinds, correspondence, contracts, promotional materials, research files, and press clippings. The book with the...

Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...

Scope and Contents From the Series:

This series includes book reviews, magazine and newspaper articles, fliers, photographs, and realia chronicling Barrett's life as a writer.

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...