Popular music

Scope and Contents From the Collection:

Archival materials received from Austin, Texas collector and friend of musicians, Ed McPadden. Materials date 1967-2000, and include unframed and framed gig and music scene event posters, photographs as well as copies of Austin scene newspapers, and one issue of Playboy magazine.

Scope and Contents From the Collection:

Archival materials received from Austin, Texas collector and friend of musicians, Ed McPadden. Materials date 1967-2000, and include unframed and framed gig and music scene event posters, photographs as well as copies of Austin scene newspapers, and one issue of Playboy magazine.

Scope and Contents From the Collection:

Archival materials received from Austin, Texas collector and friend of musicians, Ed McPadden. Materials date 1967-2000, and include unframed and framed gig and music scene event posters, photographs as well as copies of Austin scene newspapers, and one issue of Playboy magazine.

Scope and Contents From the Collection:

Archival materials received from Austin, Texas collector and friend of musicians, Ed McPadden. Materials date 1967-2000, and include unframed and framed gig and music scene event posters, photographs as well as copies of Austin scene newspapers, and one issue of Playboy magazine.

Scope and Contents From the Collection: This collection consists of black and white and color photographs, 35mm color slides, contact sheets, 35mm color negatives and color photographs stored on disc. These photographs document the punk rock, new wave and rock and roll artists performing in the San Antonio/Austin Texas area and are featured in the San Antonio indie music newspaper It’s Only Rock and Roll. Kimsey was a contributing photographer and writer for It’s Only Rock and Roll which was self-published by Ron Young from March...

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Scope and Contents From the Collection: This collection consists of black and white and color photographs, 35mm color slides, contact sheets, 35mm color negatives and color photographs stored on disc. These photographs document the punk rock, new wave and rock and roll artists performing in the San Antonio/Austin Texas area and are featured in the San Antonio indie music newspaper It’s Only Rock and Roll. Kimsey was a contributing photographer and writer for It’s Only Rock and Roll which was self-published by Ron Young from March...

Scope and Contents From the Collection:

Archival materials received from Austin, Texas collector and friend of musicians, Ed McPadden. Materials date 1967-2000, and include unframed and framed gig and music scene event posters, photographs as well as copies of Austin scene newspapers, and one issue of Playboy magazine.