Texas -- Description and travel

Series Description From the Series: The Other Writings series is devoted to the many short stories, essays, book introductions, tributes, and unpublished pieces written by Graves, and spans almost six decades. This series is also the largest in the collection, filling eleven document boxes, plus oversize. The works within it arearranged alphabetically by title, usually according to the official published title, but sometimes by a book title if Graves’ piece is an untitled introduction, or a draft title if the piece is...

Subseries Description From the Sub-Series: These files are titled and arranged (alphabetically) according to Reavis’ titles and arrangement. As a result, not all folder titles are entirely indicative of their contents. This sub-series is comprised of general subject files whose contents mostly pertain directly to research for The Ashes of Waco. However, some documents post-date the book, as Reavis continued his research work in the years that followed. The sub-series is dated according to when Reavis...

Series Description From the Series: This series contains examples of the writing and book production process including drafts, rewrites, galley proofs, dust jackets, reviews and photographs for three of Reid's published books: The Improbable Rise of Redneck Rock, Deer in Water, and Vain Glory. The bulk of these materials relate to Deer in Water.Material is arranged in chronological order by date...

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Scope and Contents From the Series:

Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.

Subseries Description From the Sub-Series: These files are titled and arranged (alphabetically) according to Reavis’ titles and arrangement. As a result, not all folder titles are entirely indicative of their contents. This sub-series is comprised of general subject files whose contents mostly pertain directly to research for The Ashes of Waco. However, some documents post-date the book, as Reavis continued his research work in the years that followed. The sub-series is dated according to when Reavis...

Subseries Description From the Sub-Series: These files are titled and arranged (alphabetically) according to Reavis’ titles and arrangement. As a result, not all folder titles are entirely indicative of their contents. This sub-series is comprised of general subject files whose contents mostly pertain directly to research for The Ashes of Waco. However, some documents post-date the book, as Reavis continued his research work in the years that followed. The sub-series is dated according to when Reavis...

Subseries Description From the Sub-Series: These files are titled and arranged (alphabetically) according to Reavis’ titles and arrangement. As a result, not all folder titles are entirely indicative of their contents. This sub-series is comprised of general subject files whose contents mostly pertain directly to research for The Ashes of Waco. However, some documents post-date the book, as Reavis continued his research work in the years that followed. The sub-series is dated according to when Reavis...

Subseries Description From the Sub-Series:

Reavis wrote a feature for the San Antonio Express-News on Gordon Novel, a man with a mysterious past and an important figure in the continuing investigations into and conspiracy theories about Waco. Novel put forth the notion, using FLIR evidence, that FBI agents were firing into the Mount Carmel Center as the tanks inserted tear gas on the morning of April 19th.

Subseries Description From the Sub-Series:

Also titled and arranged alphabetically by title, according to how we received them, the research notebooks are additionally very similar to the subject files in that they pertain directly to Reavis’ research for his book. Most files are photocopied books that were bound with plastic comb binders and plain covers, with the titles written on the front. This sub-series is dated according to when Reavis is likely to have accumulated the copies, not by the dates of the original documents.