Popular music -- Writing and publishing
Found in 2836 Collections and/or Records:
Watson, Dale – 2 photographs; interview notes, 1996, 1998
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
WDIY-FM w/ Lloyd Maines “N” label, March 14, 2002 and October 2, 2002
Weekender newspaper, May 12, 1978
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Welch, Gillian. I'm Not Afraid to Die (CD) [Willie Nelson guest vocalist], undated
Wells, Kitty – 3 photographs; handwritten note from James White, Broken Spoke
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
“We’re running late …/The streets are rivers …” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
Werner, Susan. I Can't Be New (CD), 2004
Western Swing, General
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
WFMT’s Folkstage w/ Lloyd Maines, October 21, 2006
WFMT’s Folkstage w/ Lloyd Maines. Disc 1 (2 copies), October 21, 2006
WFMT’s Folkstage w/ Lloyd Maines Disc 2, October 21, 2006
“What’s the Matter” (loose pages)
“When I was 20”, undated
Where’d You Hide the Body, 1995
“Where’d You Hide the Body” (loose pages)
“Where’s Johnny” (loose pages)
Whiskey River (Take My Mind) on Johnny Bush
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
White, Lavelle – 3 photographs
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Whitlock, Bobby & Coco Carmel. Lovers (CD) [Willie Nelson guest guitarist], 2008
“Who are you talking to, so late at night?” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.