Screenplays

Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Scope and Contents From the Collection:

The collection contains a copy of the screenplay for the 1975 novel Country Music, a copy of a typescript of the 1989 novel Buffalo Nickel, and an issue of the Poseidon Press Spring Selections 1989 containing an excerpt from Buffalo Nickel. The material was donated through Bill Wittliff to whom Smith had submitted these copies for comments.

Scope and Contents From the Series: This series has been arranged in chronological order by date of the novel’s creation. This is the largest series, with the numerous Dancing Bear files documenting Crumley's changing ideas for titles and other aspects related to the novel. Although multiple drafts of each work are present, the drafts typically include only the first few chapters of the work. The specific portions of each work represented and any variant titles are identified by the folder...

Scope and Contents From the Series: This series has been arranged in chronological order by date of the novel’s creation. This is the largest series, with the numerous Dancing Bear files documenting Crumley's changing ideas for titles and other aspects related to the novel. Although multiple drafts of each work are present, the drafts typically include only the first few chapters of the work. The specific portions of each work represented and any variant titles are identified by the folder...

Scope and Contents From the Series: This series has been arranged in chronological order by date of the novel’s creation. This is the largest series, with the numerous Dancing Bear files documenting Crumley's changing ideas for titles and other aspects related to the novel. Although multiple drafts of each work are present, the drafts typically include only the first few chapters of the work. The specific portions of each work represented and any variant titles are identified by the folder...

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Sub-Series Description From the Sub-Series: Written and co-produced by Wittliff. Starred Jessica Lange and Sam Shepard. Wittliff began as director but was replaced by Richard Pearce. 1985, Lange won Academy Award nomination. The film received the Christopher Award. Kelly Asbury drew story boards for Wittliff when he was director. Publicity contains reviews, congratulations, studio press kit, publicity junket which began in New York because movie opened the 1984 New York Film festival, final report of the screening program,...

Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Description From the Sub-Series:

6 part series, five of which aired August 1993 on CBS-TV.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.