Screenplays
Found in 1182 Collections and/or Records:
Posters and illustrations, 1968 - 1975
Postproduction, October 1991
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
PR Flyer, The Whole Shootin’ Match, undated
This series includes photocopies of newspaper and magazine articles, and also original newspaper clippings. Separated into sub-series: Newspaper Articles, Magazine Articles, Film Festival Flyers, and Notes. Some of the original newspaper clippings are fragile.
Presents from Martha to Crumley: poetry and artwork , undated
“Presidential Memorial Veteran Certificate” , undated
Press kit
Press kit and press books, undated
Five folders of works, financial papers, photographs, promotional kits, and clippings, 1984-1986 contain materials from the 1985 film "The Trip to Bountiful." The collection highlights the filming of the movie and includes the screenplay and stage-play (both signed by writer Horton Foote), a copy of the budget, the main titles, photographs taken during the filming, press kits, a long press book giving background on the film, and clippings pertaining to the movie.
Previews, June - August 1984
Printing and graphics pamphlets, undated
This sub-series contains Wittliff's collection of book catalogs, exhibition catalogs, printing pamphlets and historical society brochures. Invitations to readings, art and literature shows, directories, flyers, articles, clippings and notices are also present.
Production
6 part series, five of which aired August 1993 on CBS-TV.
Production
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Production, 1980 - 1985
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
Production, 1977-1978, undated
Production, 1980 - 1983
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Production, 1985, undated
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Production Advisory Committee Meeting, October 1984
Production budgets, September 1977 - September 1978
This series includes a certificate of incorporation for Maverick Films, Inc., memorandums, stock and share agreements, tax returns, and other financial information. Separated into sub-series: Maverick Films, Incorporated, Board of Directors Meetings, Maverick Films, Inc. Memorandums, Shareholders, Legal papers, and Financial Information.
Production Crew, undated
This series includes cast and crew information relating to The Whole Shootin’ Match, including crew biographical information, contact lists, and The Whole Shootin’ Match credits.
Production files (Cast and staff lists, shooting schedules and call sheets)
Production forms and dailies, undated
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.