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Screenplays

 Subject
Subject Source: Art & Architecture Thesaurus

Found in 1292 Collections and/or Records:

Eric Williams script and notes, 1985

 File — Box 278, Folder: 4
Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Dates: 1985

Eros on Trial, 1966

 Item — Box 273, Folder: 5
Sub-Series Description From the Sub-Series:

This sub-series contains Wittliff's collection of book catalogs, exhibition catalogs, printing pamphlets and historical society brochures. Invitations to readings, art and literature shows, directories, flyers, articles, clippings and notices are also present.

Dates: Publication: 1966

Everybody Plays the Fool

 File — Box 3, Folder: 13
Series Description From the Series: The majority of the material in this series is manuscripts, some marked by the editor. Artwork and galley proofs are also included. The files are arranged in chronological order. Titles include: Cold Sweat, an unpublished anthology, The Drive In, The New Frontier: Best of the West 2, By Bizarre Hands, Ice Birds, ...
Dates: 1985-1992

Excerpt from Buffalo Nickelin Poseidon Press Spring Selections, 1989

 File — Box 1, Folder: 6
Scope and Contents From the Collection:

The collection contains a copy of the screenplay for the 1975 novel Country Music, a copy of a typescript of the 1989 novel Buffalo Nickel, and an issue of the Poseidon Press Spring Selections 1989 containing an excerpt from Buffalo Nickel. The material was donated through Bill Wittliff to whom Smith had submitted these copies for comments.

Dates: 1989

Excerpts and Editor’s note, March 15, 1968

 File — Box 1, Folder: 6
Scope and Contents From the Series: This series has been arranged in chronological order by date of the novel’s creation. This is the largest series, with the numerous Dancing Bear files documenting Crumley's changing ideas for titles and other aspects related to the novel. Although multiple drafts of each work are present, the drafts typically include only the first few chapters of the work. The specific portions of each work represented and any variant titles are identified by the folder...
Dates: March 15, 1968

Faux National “Photographic” cover for Crumley’s 60th birthday [removed from frame] , undated

 File — Box 1897, Folder: 14
Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates: undated

Figures running figures sitting on couch

 Item — Box 861
Sub-Series Description From the Sub-Series: Original carved and inked woodblocks created by Barbara Whitehead commissioned by the Encino Press. These blocks have been scanned and printed on plain paper for ease of access. See print-outs and accompanying zip-disks in box 877. Print-outs are annotated with either a title taken from the block or simply a descriptive cataloger-assigned title; these are the titles listed in this quide. Prnt-outs are also annotated with the titles of books in which the images appeared, such as: Deep Like...
Dates: undated

Film and tape

 File — Box 311, Folder: 3
Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Dates: undated

Film Distribution, 1979-1990

 Series
Series Description

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Dates: 1979-1990

Film distribution at the 8th Street Playhouse, October 1982

 File — Box 1, Folder: 29
Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Dates: October 1982

Film distribution inquiry. Eagle Pennell from Robert D. Kanten (PBS)

 Item — Box 1, Folder: 30
Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Dates: 1979

Film distribution letter from Lin Sutherland to Ray Fisher (Cinema Perspectives) and Harvey Corn (Certified public accountant), February 1980

 Item — Box 1, Folder: 23
Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Dates: February 1980

Film distribution letters from Ray Fisher to Lin Sutherland, and to Lewis Black, March 1980-January 1982

 File — Box 1, Folder: 24
Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Dates: March 1980-January 1982

Film Festival Flyers, 1978-1979, undated

 Sub-Series
Series Description From the Series:

This series includes photocopies of newspaper and magazine articles, and also original newspaper clippings. Separated into sub-series: Newspaper Articles, Magazine Articles, Film Festival Flyers, and Notes. Some of the original newspaper clippings are fragile.

Dates: 1978-1979, undated

Film rental contracts for The Whole Shootin’ Match, September 1982–November 1983

 File — Box 1, Folder: 27
Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Dates: September 1982–November 1983

Film Society of Lincoln Center The Whole Shootin’ Match screening flyer, April-May 1979

 File — Box 1, Folder: 15
Series Description From the Series:

This series includes photocopies of newspaper and magazine articles, and also original newspaper clippings. Separated into sub-series: Newspaper Articles, Magazine Articles, Film Festival Flyers, and Notes. Some of the original newspaper clippings are fragile.

Dates: April-May 1979

Filmmaking, 1983 - 1994

 Series
Scope and Contents From the Collection:

The Bill Wittliff papers document the book publishing, photography, and screenwriting and filmmaking aspects of Mr. Wittliff’s various professional and personal pursuits, ranging in date from 1968-1995, and including the following formats: correspondence, typescript drafts, bibliographies, woodcut blocks, illustrations, photographs, screenplay drafts, film storyboards and other production materials. See series descriptions within the container list for more detailed information.

Dates: 1983 - 1994

Filmmaking-General Files, 1983 - 1994

 Sub-Series
Scope and Contents From the Collection:

The Bill Wittliff papers document the book publishing, photography, and screenwriting and filmmaking aspects of Mr. Wittliff’s various professional and personal pursuits, ranging in date from 1968-1995, and including the following formats: correspondence, typescript drafts, bibliographies, woodcut blocks, illustrations, photographs, screenplay drafts, film storyboards and other production materials. See series descriptions within the container list for more detailed information.

Dates: 1983 - 1994

“Final Country-Postcard, undated

 File — Box 1896, Folder: 23
Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates: undated

“Final Country-Press Clippings” , undated

 File — Box 1896, Folder: 21-22
Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates: undated