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Screenplays

 Subject
Subject Source: Art & Architecture Thesaurus

Found in 1182 Collections and/or Records:

Dobie Paisano Fellowship Applications, 1986 - 1987

 File — Box 12, Folder: 1
Series Description From the Series:

Applications and brochures regarding the Texas Institute of Letters / Dobie Paisano Fellowship for the years 1986-1987 and 1989-1990.

Dates: 1986 - 1987

Draft, November 2, 1987

 File — Box 321, Folder: 9
Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Dates: November 2, 1987

Draft, November 2, 1987

 File — Box 322, Folder: 1
Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Dates: November 2, 1987

Draft, October 18 - November 23, 1979

 File — Box 275, Folder: 2-3
Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Dates: October 18 - November 23, 1979

Draft, November 24 - 29, 1979

 File — Box 275, Folder: 4-7
Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Dates: November 24 - 29, 1979

Draft , August 22, 1979

 File — Box 288, Folder: 7
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: August 22, 1979

Draft, September 10, 1979

 File — Box 288, Folder: 8
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: September 10, 1979

Draft, October 10, 1979

 File — Box 289, Folder: 5-6
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: October 10, 1979

Draft, April 16, 1980

 File — Box 289, Folder: 9
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: April 16, 1980

Draft, April 16, 1980

 File — Box 290, Folder: 1
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: April 16, 1980

Draft, April 17, 1980

 File — Box 290, Folder: 2-7
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: April 17, 1980

Draft, March 13, 1979

 File — Box 298, Folder: 3-5
Sub-Series Description From the Sub-Series:

The film was eventually produced in 2013 starring Robert Duvall.

Dates: March 13, 1979

Draft, December 28, 1980 - January 26, 1981

 File — Box 298, Folder: 6-7
Sub-Series Description From the Sub-Series:

The film was eventually produced in 2013 starring Robert Duvall.

Dates: December 28, 1980 - January 26, 1981

Draft, August 9, 1989

 File — Box 327, Folder: 1-2
Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Dates: August 9, 1989

Draft, November 15, 1983

 File — Box 314, Folder: 3-4
Sub-Series Description From the Sub-Series:

"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989

Dates: November 15, 1983

Draft, July 21 - September 10, 1986

 File — Box 319, Folder: 5
Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Dates: July 21 - September 10, 1986

Draft and additional corrected pages, August 9, 1989

 File — Box 326, Folder: 8
Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Dates: August 9, 1989

Draft and copy of draft, undated

 File — Box 2, Folder: 4-7
Series Description From the Series:

This series comprises the bulk of the collection and includes drafts, typescripts, annotated typescripts, and bound typescripts of published and unpublished novels.

Dates: undated

Draft by Nick Castle, November 29, 1989

 File — Box 325, Folder: 5-6
Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Dates: November 29, 1989

Draft by Nick Castle, December 12, 1989

 File — Box 325, Folder: 7-8
Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Dates: December 12, 1989