Screenplays

Sub-Series Description From the Sub-Series:

"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...

Scope and Contents Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...

Contents

Glen Alyn; Steve Barthelme; Thomas Hart Benton; Bill Broyles; Jack Canson; Carlos W. Castaneda; Madison Cooper; J. Frank Dobie; Robert Duval; Steve Forbis; Joe Frantz; Larry Goodwyn; John Graves; Jim Hamm; Carl Hertzog; Tony Hillerman

Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...

Scope and Contents From the Series: This series has been arranged in chronological order by date of the novel’s creation. This is the largest series, with the numerous Dancing Bear files documenting Crumley's changing ideas for titles and other aspects related to the novel. Although multiple drafts of each work are present, the drafts typically include only the first few chapters of the work. The specific portions of each work represented and any variant titles are identified by the folder...

Scope and Contents From the Series: This series has been arranged in chronological order by date of the novel’s creation. This is the largest series, with the numerous Dancing Bear files documenting Crumley's changing ideas for titles and other aspects related to the novel. Although multiple drafts of each work are present, the drafts typically include only the first few chapters of the work. The specific portions of each work represented and any variant titles are identified by the folder...

Abstract

Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.

Abstract

Additions to the Celeste Bedford Walker archival collection from 1925-2012. The majority of the materials included in the collection are promotional flyers, photographs, correspondence, and newspaper articles relating to Walker’s play, Camp Logan and other plays such as Once in a Wife Time. Also included in the collection are two The New York Times papers from 1925-1926.

Series Description From the Series:

This series includes a certificate of incorporation for Maverick Films, Inc., memorandums, stock and share agreements, tax returns, and other financial information. Separated into sub-series: Maverick Films, Incorporated, Board of Directors Meetings, Maverick Films, Inc. Memorandums, Shareholders, Legal papers, and Financial Information.

Series Description From the Series:

This series contains short stories written by Zagst, arranged alphabetically. Also included are stories from the Texas Institute of Letters short story competition.

Series Description From the Series:

This small series includes Zagst’s personal acting resume and accompanying headshot.

Description From the Sub-Series:

6 part series, five of which aired August 1993 on CBS-TV.

Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Scope and Contents From the Series:

Arranged in alphabetical order by title of screenplay, this series includes typescripts of screenplays based on Crumley’s novels Dancing Bear and The Last Good Kiss, as well others not based on Crumley’s novels.

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.