Musicians -- Texas
Found in 10109 Collections and/or Records:
Denbey, Jody. Tape #36/a and 38/b, January 22, 1992, undated
Denim (2 photographs)
Dennise Lopez, undated
Denny Freeman cont.’d, Antone’s Tour, camera only, April 22, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Denny Freeman interview at Antone’s Records, April 22, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Denny Freeman interview at Antone’s Records, April 22, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
“Denver Show Notes”; Handwritten notes critiquing tracks on live recording of Denver show, undated
dePlique, C. C. Cassette tapes of various dePlique material made for Bill Crawford (see also correspondence Box 16 f. 8) Tapes #154-155 , 1993
dePlique, C. C. Cross Roads Lord Records. Tape #153, 1987
dePlique, C. C. Nothin' But the Truth! Profile Records, Ky, Finland. Tape #152, 1989
dePlique, C. C. Tape #39-41, February 10, 1992, May 15, 1993
dePlique, C. C. Up From the Ether!/Blues Don't Care, 45 rpm 7-inch vinyl record. Bluelight Records/Sony Music. (see also correspondence Box 16 f.8) (4 copies) Tapes# 178-181 , 1993
DePlique, Charles Christian "C. C."
DePlique, Christian Charles "C. C."
dePlique, Christian Charles "C.C.” Tapes #39-41, undated
This listing refers to interviews conducted by Bill Crawford for which written transcripts and/or notes have been made. Box and folder numbers in this list refer to these transcripts and/or notes. Tape numbers in this list refer to the audiocassette tapes listed more fully in Series III.)
Derailers – 4 photographs; postcard from Tony Villanueva; “Guide to Style, 1996
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Derek interview at Antone’s, April 17, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Derek O’Brien interview at Antone’s, April 17, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Desert Dance Benefit. Featuring Lost Gonzo Band, Beto & the Fairlanes, Mother of Pearl, Bobby Bridger, Butch Hancock, Jurt Van Sickle, Natalie Zoe and Turk Pipkin & Kim. Austin Opera House. Poster by Bert Goodrich, November 12, 1978
Posters are divided into Willie Nelson and non-Willie Nelson subseries. The Nelson posters include ones for the sixth annual Fourth of July picnic; Honeysuckle Rose, and two advertising concerts. The bulk of the non-Willie Nelson posters are for concerts at the Austin Opry House by performers such as The Charlie Daniels Band, Kinky Friedman, Dave Loggins, The Lost Gonzo Band, and Taj Mahal.
Design for a Sam Kindrick logo, MW Barcus Studios
The bulk of Kindrick’s personal papers include clippings of his “Offbeat” column that appeared in the San Antonio Express News, 1968-1974. The column is a precursor to the workhe would later do at Action Magazine, and the subjects are similar: music, culture, off-beat stories of sports, politics, and society.