American literature -- Mexican American authors
Found in 2778 Collections and/or Records:
“Xmas Cookies” San Antonio, 2001
(19 photographs)
“Xmas San Antonio”, 2001
Subjects include Gertrude Baker (23 photographs)
“Y’all Come Back,” multiple drafts
Yamanaka, Lois Ann, 1995, 1997, 2014
Yampolsky, Mariana, 1998, 2007
Yarbro-Bejarano, Yvonne “Insider/Outsider Multiple Cultural Critiques in Chicana Art and Literature”
These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.
Ybañez, Terry (artist, My Wicked Wicked Ways), 1986-1999, 2002
“Year of my Near Death” Austin, 1987
Subjects include Rubén Guzman, Jasna Karaula, Julie Parrales, Pan Rubén. (44 photographs)
“Year of my near death. Austin to Chico period.” Teaching at Women’s Peace Center with students including Laura Lippman and Liliana Valenzuela. Notes for commencement speech at Latino Youth where she began writing A House on Mango Street, poetry notes for Rodrigo poems. Approximately 37 pages. Spiral bound; hearts on cover, 1987
Yerba Buena High School
Yerba Buena High School
Yerba Buena High School, Leslie Wilde’s class
Y.E.S. College Prep
Yo - Z
“You Are God’ Exhibition, [San Antonio], circa 1997
19 photographs)
“You Better Not Put Me in a Poem,” 10 drafts, corrected, January 2007
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
“You Bring Out the Mexican in Me,” 2 typed pages, no corrections, July 20, 1992
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“You Called Me Corazón,” 1 typed page, no corrections; 1 photocopy, 1990
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
You Like to Give and Watch Me My Pleasure,” 1 typed page, no corrections, August 16, 1992
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.