Country music
Found in 4759 Collections and/or Records:
Epic Records Asleep at the Wheel bio, circa 1980s, undated
Archival material received from Ray Benson dating 1974-2000. Materials include official “AATW Day” proclamations, CMA Awards finalist nomination certificates, record company bios, AATW business expense records gig flyers, National Academy of Recording Arts and Sciences appreciation certificates and a Japan Country Gold appreciation certificate and thank you note from the Emily Robison of the Dixie Chicks.
Eric Friedland, Los #3 Dinners cover, January, 2000
This series contains a near-complete run of the newspaper from 1975-2019.
Eric Marley cover, December, 1987
This series contains a near-complete run of the newspaper from 1975-2019.
Ernest Tubb cover (3), April, 1976
This series contains a near-complete run of the newspaper from 1975-2019.
Ernie Garibay cover, August, 2003
This series contains a near-complete run of the newspaper from 1975-2019.
Erotic Poetry Valentines Festival cover, March, 1993
This series contains a near-complete run of the newspaper from 1975-2019.
Erwin Heimer (blacksmith) cover, June, 1985
This series contains a near-complete run of the newspaper from 1975-2019.
Escovedo, Alejandro. With These Hands (CD) [Willie Nelson guest vocalist], 1996
Esteban Jordan cover, October, 1977
This series contains a near-complete run of the newspaper from 1975-2019.
Eugene O’Neil Theater Center, National Theater Institute”; catalog , 1985 - 1986
Archival materials relating to the career and personal life of musician/playwright/author, Bobby Bridger from 1944-2018. Included are photographs (including a photo of Bridger with Lady Bird Johnson); promotional material for A Ballad of the West; handwritten lyrics such as Heal in the Wisdom; and Bridger’s vinyl records of Merging of our Minds, And I Wanted to Sing for the People, and Heal in the Wisdom. Also, included in the collection is a screenplay for Shakespeare and the Indians.
European tour itinerary for Asleep at the Wheel, Bellamy Brothers and Kathy Mattea, June 13-20, 1988
Ray Benson's archive contains materials documenting his entire career, featuring records, photographs, instruments, wardrobe, awards and other memorabilia dating from 1951-2018.
Evans, Bill. Big Fun (CD) [Willie Nelson guest vocalist], 2002
“’Evening with the Songwriter’ Aaron Allan, Dr. Eugene Clark Library, Lockhart”; promotional flyer in black wooden frame, undated
Event programs, includes Austin City Limits Reunion Special program, 1986, 1993-1994, 1998
Ray Benson's archive contains materials documenting his entire career, featuring records, photographs, instruments, wardrobe, awards and other memorabilia dating from 1951-2018.
Event programs such as the 8th Annual SafePlace Anniversary Party, National Symphony Orchestra, and Encore: Fort Hays State University Encore Series, 2005-2010
The Ray Benson archive includes material documenting Benson’s music career from 1971-2017. Majority of the collection includes promotional articles, including an article from John Morthland; and awards. Included in the collection are photographs of Benson with President George W. Bush, Laura Bush, and others; Benson’s boots and concert jacket; and correspondence with Dolly Parton and others. The folder titles preceding a semicolon reflect Benson’s original descriptions.
“Everybody Sing ‘Amazing Grace’”/ “Dispenser Machines” by Aaron and Norma Jean Allan, Double A Records 45 RPM , undated
“Everybody’s somebody in Luckenbach”/ “Eighteen Wheels and Two Chrome Stacks” by ‘Tex’ Luckenbach, New Star 45 RPM , undated
“Everything Will Be Alright”/ “Apartment #9” by Claude Gray, Decca Records 45 RPM, undated
Evil Mothers (4 photographs)
Exhibit labels from the temporary 2017 Ray Benson exhibition, 2017
The Ray Benson archive includes material documenting Benson’s music career from 1971-2017. Majority of the collection includes promotional articles, including an article from John Morthland; and awards. Included in the collection are photographs of Benson with President George W. Bush, Laura Bush, and others; Benson’s boots and concert jacket; and correspondence with Dolly Parton and others. The folder titles preceding a semicolon reflect Benson’s original descriptions.