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Drama

 Subject
Subject Source: Library of Congress Subject Headings
Scope Note: Here are entered works on drama as a literary form.

Found in 943 Collections and/or Records:

The Daedalian. Denton: Senior Class of the College of Industrial Arts, 1922

 File — Box 3, Folder: 1
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: 1922

The Dining Room, by A.R. Gurney, Jr.

 File — Box 21, Folder: 2
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

The Dresser, by Ronald Harwood, script and notes

 File — Box 21, Folder: 5-7
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

“The Ghost”

 File — Box 24, Folder: 8
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

The Greening of Thurmond Leaner, undated

 File — Box 11, Folder: 2
Series Description From the Series:

This series holds drafts of plays and screenplays written by Zagst. Also included are several book reviews authored by Zagst which were published in The Houston Chronicle.

Dates: undated

The Greening of Thurmond Leaner, 1978-1979, undated

 Sub-Series
Series Description From the Series:

This series comprises the bulk of the collection and includes drafts, typescripts, annotated typescripts, and bound typescripts of published and unpublished novels.

Dates: 1978-1979, undated

The House, undated

 File — Box 4, Folder: 8-9
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: undated

The House of Bernarda Alba, by Federico Garcia Lorca, maps, notes, and research

 File — Box 22, Folder: 7
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

The House of Bernarda Alba, by Federico Garcia Lorca, script

 File — Box 22, Folder: 8
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

The Houston Riot and Courts-Martial of 1917 booklets, The Buffalo Soldiers, America’s Black Regiments of the West pamphlets, and Camp Logan programs, 1998

 File — Box 2958, Folder: 13
Abstract From the Series:

Additions to the Celeste Bedford Walker archival collection from 1925-2012. The majority of the materials included in the collection are promotional flyers, photographs, correspondence, and newspaper articles relating to Walker’s play, Camp Logan and other plays such as Once in a Wife Time. Also included in the collection are two The New York Times papers from 1925-1926.

Dates: 1998

“The Journey” typescript

 File — Box 30, Folder: 5
Sub-Series Description From the Sub-Series:

This subseries includes short stories such as “The Morning of the First Day” and “The Morning and the Evening of the First Day”. Many are complete stories, some are fragments or are in draft form. Portions of these examples of Vliet’s early prose would later be worked into the author’s novels.

Dates: 1957-1963, undated

“The Morning and the Evening of the First Day: Early prose and an epilogue – four stories” - Typescript, 1963

 File — Box 30, Folder: 8-9
Sub-Series Description From the Sub-Series:

This subseries includes short stories such as “The Morning of the First Day” and “The Morning and the Evening of the First Day”. Many are complete stories, some are fragments or are in draft form. Portions of these examples of Vliet’s early prose would later be worked into the author’s novels.

Dates: 1963

“The Morning of the First Day: Early prose and an epilogue – four stories” - Page proofs, 1959

 File — Box 30, Folder: 6-7
Sub-Series Description From the Sub-Series:

This subseries includes short stories such as “The Morning of the First Day” and “The Morning and the Evening of the First Day”. Many are complete stories, some are fragments or are in draft form. Portions of these examples of Vliet’s early prose would later be worked into the author’s novels.

Dates: 1959

[The mountain floats in the air…]

 File — Box 24, Folder: 14
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

The New York Times Book Review section, condition is brittle and crumbling , August 22, 1926

 File — Box 2959, Folder: 4
Abstract From the Series:

Additions to the Celeste Bedford Walker archival collection from 1925-2012. The majority of the materials included in the collection are promotional flyers, photographs, correspondence, and newspaper articles relating to Walker’s play, Camp Logan and other plays such as Once in a Wife Time. Also included in the collection are two The New York Times papers from 1925-1926.

Dates: August 22, 1926

The New York Times magazine section, condition is brittle and crumbling , November 22, 1925

 File — Box 2959, Folder: 5
Abstract From the Series:

Additions to the Celeste Bedford Walker archival collection from 1925-2012. The majority of the materials included in the collection are promotional flyers, photographs, correspondence, and newspaper articles relating to Walker’s play, Camp Logan and other plays such as Once in a Wife Time. Also included in the collection are two The New York Times papers from 1925-1926.

Dates: November 22, 1925

“The Night Before the Day”

 File — Box 24, Folder: 15
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

The Night of the Hunter thesis, 1966

 File — Multiple Containers
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: 1966

“The Opening Line”

 File — Box 24, Folder: 18
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

The Paul Baker Theater: A Photo History, 1991

 File — Box 20, Folder: 1
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1991