Photography

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series:

The three oil paintings in this series are not dated, but were created during the early 1930s, when Lee studied painting in Woodstock, NY. A friend suggested Lee buy a camera and take photographs to improve his painting technique; Lee did so and quickly became interested in photography. The painting of the man in this series remains unfinished as a result of Lee’s shift in artistic focus.

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Sub-Series Description From the Sub-Series: Original carved and inked woodblocks created by Barbara Whitehead commissioned by the Encino Press. These blocks have been scanned and printed on plain paper for ease of access. See print-outs and accompanying zip-disks in box 877. Print-outs are annotated with either a title taken from the block or simply a descriptive cataloger-assigned title; these are the titles listed in this quide. Prnt-outs are also annotated with the titles of books in which the images appeared, such as: Deep Like...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Scope and Contents From the Collection:

The Bill Wittliff papers document the book publishing, photography, and screenwriting and filmmaking aspects of Mr. Wittliff’s various professional and personal pursuits, ranging in date from 1968-1995, and including the following formats: correspondence, typescript drafts, bibliographies, woodcut blocks, illustrations, photographs, screenplay drafts, film storyboards and other production materials. See series descriptions within the container list for more detailed information.

Scope and Contents From the Collection:

The Bill Wittliff papers document the book publishing, photography, and screenwriting and filmmaking aspects of Mr. Wittliff’s various professional and personal pursuits, ranging in date from 1968-1995, and including the following formats: correspondence, typescript drafts, bibliographies, woodcut blocks, illustrations, photographs, screenplay drafts, film storyboards and other production materials. See series descriptions within the container list for more detailed information.

Series Description From the Series:

Exhibit Catalogs includes notes, drafts of the catalog text, page proofs, and one final copy.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Contents

Tax records relating to Naomi Lott (household employee), 1984, 1988, 1989, 1990, 1991. NOTE: Folder contains envelopes for 1985 and 1987, but these envelopes contain no records.