Box 17
Container
Contains 6 Results:
Videotape of a June 1988 day on the set
File — Box: 17, Folder: 1
Series Description
From the Series:
This series deals with material used or generated during the filming of Lonesome Dove from March through July 1988. Glenn Headley contributed her script for the character Elmira marked with her notes. Bill Wittliff, not only a screenwriter and producer, but also an accomplished photographer, publisher and book designer, contributed many of his photographs of performers and scenes taken during the filming. A complete set of the dailies on 3/4 inch tape is also...
Dates:
1988
Post-production budget and cost reports
File — Box: 17, Folder: 2
Series Description
From the Series:
Editor: Corky EhlersMusic: Basil PaledourisThis series covers the material used in the post-production phase--film editing and the addition of music and sound. It contains the post-production schedule, budget, location breakdown and cost reports. The cutting notes include the suggestions of Wittliff, the producer Dyson Lovell and the director Simon Wincer. The various cuts--the editor's rough cut, the director's cut, the producer's cuts and the final cuts--are...
Dates:
1988-1989
Cutting Notes, August-December 1988
File — Box: 17, Folder: 3-4
Series Description
From the Series:
Editor: Corky EhlersMusic: Basil PaledourisThis series covers the material used in the post-production phase--film editing and the addition of music and sound. It contains the post-production schedule, budget, location breakdown and cost reports. The cutting notes include the suggestions of Wittliff, the producer Dyson Lovell and the director Simon Wincer. The various cuts--the editor's rough cut, the director's cut, the producer's cuts and the final cuts--are...
Dates:
August-December 1988
Automated Dialogue Replacement (ADR) sheets
File — Box: 17, Folder: 5
Series Description
From the Series:
Editor: Corky EhlersMusic: Basil PaledourisThis series covers the material used in the post-production phase--film editing and the addition of music and sound. It contains the post-production schedule, budget, location breakdown and cost reports. The cutting notes include the suggestions of Wittliff, the producer Dyson Lovell and the director Simon Wincer. The various cuts--the editor's rough cut, the director's cut, the producer's cuts and the final cuts--are...
Dates:
1988-1989
Main titles and final credits
File — Box: 17, Folder: 6
Series Description
From the Series:
Editor: Corky EhlersMusic: Basil PaledourisThis series covers the material used in the post-production phase--film editing and the addition of music and sound. It contains the post-production schedule, budget, location breakdown and cost reports. The cutting notes include the suggestions of Wittliff, the producer Dyson Lovell and the director Simon Wincer. The various cuts--the editor's rough cut, the director's cut, the producer's cuts and the final cuts--are...
Dates:
1988-1989
Music
File — Multiple Containers
Series Description
From the Series:
Editor: Corky EhlersMusic: Basil PaledourisThis series covers the material used in the post-production phase--film editing and the addition of music and sound. It contains the post-production schedule, budget, location breakdown and cost reports. The cutting notes include the suggestions of Wittliff, the producer Dyson Lovell and the director Simon Wincer. The various cuts--the editor's rough cut, the director's cut, the producer's cuts and the final cuts--are...
Dates:
1988-1989