Music

Editor: Corky Ehlers

Music: Basil Paledouris

This series covers the material used in the post-production phase--film editing and the addition of music and sound. It contains the post-production schedule, budget, location breakdown and cost reports. The cutting notes include the suggestions of Wittliff, the producer Dyson Lovell and the director Simon Wincer. The various cuts--the editor's rough cut, the director's cut, the producer's cuts and the final cuts--are available with permission on 3/4 inch and 1/2 inch videotape. The ADR sheets document the dialogue to be added to the film which was recorded in the studio in October 1988. The music is represented by spotting notes, memos, video recording session forms and audiotapes of the score by Basil Poledouris.