Film
Found in 2305 Collections and/or Records:
Photocopy of the poem, “What Is the Word,” by Samuel Beckett, last Beckett poem to Chaikin
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Photograph of Chaikin by Ray Maichen, undated
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Photographs by Bill Wittliff, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Photographs by Wittliff, undated
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
Photographs, circa, 1983-1997
Photographs from set: 8x10 black and white of Alan Bates, Dermot Mulroney, and a female in front of stagewagon and 3x5 of burial tree
Photographs on set of Shepard and Julie Delpy by Bridgette LaCombe, includes 16 black and white faxes and 19 color copies, 1990
Photographs taken by Wittliff, undated
6 part series, five of which aired August 1993 on CBS-TV.
Photography, 1969 - 1994
In 1996, Bill and Sally Wittliff established the Wittliff Gallery - now the Southwestern & Mexican Photography Collection, and his photography was transferred to that collection
Photos and notes about Gulf War, 1990-2004
Photos of Bill Broyles, personalized waistband, Bill Broyles’s Texas Monthly article “Mission Impossible”, 1989-2008
Photos of soldiers in World War II, “The Khe Sanh Veterans’ Red Clay” Issue 51, research and notes on Khe Sanh, 1944-2001
Photos of the U.S. Navy, Coast Guard, Guam (1 of 3), 1944-1945
Photos of the U.S. Navy, Coast Guard, Guam (2 of 3) , 1944-1945
Photos of the U.S. Navy, Coast Guard, Guam (3 of 3), 1944-1945
Pig and birds
Pistoleers by Rob Thompson, undated
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
Pistoleros, first rough draft, May 9, 1986
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
