Film
Found in 2305 Collections and/or Records:
“Lily Dale” (unproduced). Screenplay by Horton Foote. (Black 3” binder), undated
Binders containing scripts, costume sketches, research materials, production notes, and other documentation for film projects. Arranged chronologically by broadcast date of the films.
Lined script, April 23, 1984 / September 16, 1988
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Lined Script, 1985
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Lined Script, Script Supervisor Pam Fuller, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Literary Criticism, 1984
This series is comprised of a review by Shepard of Peter Handke’s novel The Weight of the World, including a letter from Handke’s editor, Shepard’s draft, and a copy of the essay as published in Vanity Fair, September 1984.
Location, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Location notes, memos, and map, October 24, 1988
Location photos, 1980
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Location stills by Volker, color photographs in blue notebook, undated
Lonesome Dove: 1 original costume sketch for Clara, undated
Costume sketches by Van Broughton Ramsey for a variety of plays and films.
Lonesome Dove. William D. Wittliff adaptation of Larry McMurty’s novel, Directed by Simon Wincer and starring Robert Duvall, Tommy Lee Jones, Diane Lane, and Anjelica Huston. Fabric swatches. (Canvas Lonesome Dove 1: binder), 1989
Binders containing scripts, costume designs, research, and other production materials relating to various television mini-series. Arranged chronologically by broadcast date.
Los Angeles Times about gangs, gang programs, riots, Black & Latino unity, “Watt’s Side Story” program, “Gang Project Names”, “Black Church Life in Southern California”, “LA Stories: An OG (original) Gangster tries to make things right”, Literacy programs , 1992
Los Angeles Times articles on Emergency room violence, Hospital security measures, malls & their struggle to attract tenants, voting/voters, security in high crime areas, 1991-1992
Los Angeles Times “Rise in Kids Who Kill", 1992
“Los Angeles Weekly: Set this Tongue Straight”, Outlook News article, 1991-1992
Lost Moon 13-First draft, November 4, 1993
“Lost Moon Early Draft & Notes”, undated
Lost Moon-Several pages from draft some pages with notes, legal pad with handwritten notes, and copy of the Daily Variety, June 3, 1994
“Lost Moon/Hand Job”, Dysan 100,= , undated
Lou Reed "New Sensations" RCA 1984; "The Moray Eels Eat at the Holy Modal Rounders" Elektra Records; NightVoices. "Intimacy / Insomnia", 1984
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.