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Film

 Subject
Subject Source: Local sources

Found in 2305 Collections and/or Records:

Correspondence, 1995

 File — Box 20, Folder: 15
Scope and Contents

Boals, Judy, March 24, 1995. Includes Theater Hall of Fame program

Dates: 1995

Correspondence, 1996

 File — Box 20, Folder: 16
Scope and Contents O'Hearn, Patrick, March 12, 1996West, Robert, Jr., March 17, 1996Jones, O-Lan, March 21, 1996Boals, Judy, April 19, 1996Boals, Judy, April 22, 1996Kirchwey, Karl, April 22, 1996Morris, Tom (to Judy Boals), April 24, 1996Houghton, James, April,25, 1996McKimmie, Ilyse, May 1, 1996West, Robert Jr., May 1, 1996Boals, Judy, May 2, 1996Oliver, Liz, May 2, 1996...
Dates: 1996

Correspondence, 1997

 File — Box 20, Folder: 17
Scope and Contents

Notice from Academy of Arts and Letters re: death of Alan Ginsberg, April 5, 1997

Aronowitz, Al, May 1, 1997

Adolphe, Bruce (to Judy Boals), August 14, 1997

"Santo,” October 21, 1997

Dates: 1997

Correspondence, 1998

 File — Box 20, Folder: 18
Scope and Contents

Shepard, Sam (to Magic Theater ), April 29, 1998

Boals, Judy, July 23, 1998

Callahan, Michael (to Judy Boals), September 14, 1998

Dates: 1998

Correspondence, undated

 File — Box 20, Folder: 19
Scope and Contents

"Freddie and Lara" (first names only)

McAdams, "Coach"

Multiple authors (first names only)

Dates: undated

Correspondence, 1987-1989

 File — Box 21, Folder: 2
Series Description From the Series:

Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.

Dates: 1987-1989

Correspondence, 1982-1998

 Series
Series Description

Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.

Dates: 1982-1998

Correspondence, 1980 - 1981

 File — Box 291, Folder: 5
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: 1980 - 1981

Correspondence, 1986-1987

 File — Box 2992, Folder: 11
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: 1986-1987

Correspondence from 7 Stages director Faye Allen and from lighting designer Ann Millitello regarding the death of a friend named John Dodd, 1991, 1998

 File — Box 6, Folder: 8
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1991, 1998

Correspondence from Broyles to his parents, February 10, 1976 including a copy of letter he wrote to Representative Barbara Jordan, February 3, 1976 including his response to correspondence relating to his appearance on the Today Show; Correspondence from Broyles to his parents including Texas Monthly’s entry statement for the National Magazine Award for the Specialized Journalism category , April 7, 1976

 File — Box 3931, Folder: 4
Scope and Contents From the Series: Archival material donated by writer William Broyles, the bulk of the material is from 1965-2013. This addition includes many materials relating to his magazine career, including clippings documenting the founding of Texas Monthly, Broyles’ time as editor of Newsweek, and many of the articles he wrote for other publications. It also documents his film career, with many “progress files” for movies he wrote that include all correspondence documenting the project usually from inception to the...
Dates: April 7, 1976

Correspondence from Judy Boals, 1996

 File — Box 8, Folder: 13
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1996

Correspondence from parents, Ultra Filtration Summary, 1980-1988

 File — Box 2992, Folder: 10
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: 1980-1988

Correspondence from Peter Kaminsky and Wim Wenders, 1982-1983

 File — Box 14, Folder: 8
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: 1982-1983

Correspondence, includes: program for Minnesota film premiere and program and materials from 1988 Telluride Film Festival, 1988-1989

 File — Box 14, Folder: 18
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: 1988-1989

Correspondence, includes: telegram from Bob Dylan, correspondence with agent Judy Boals, and American Theater magazine regarding publication of Buried Child, 1995-1996

 File — Box 2, Folder: 4
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1995-1996

Correspondence including: ICM correspondence regarding contract for film,1991; Grey Larsen regarding music for film, 1988, and article written for Esquire magazine about film, 1988, 1991, undated

 File — Box 17, Folder: 12
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: 1988, 1991, undated

Correspondence, Khe San Veterans, Sybil, Rice University, 1987-2003

 File — Box 2992, Folder: 9
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: 1987-2003

Correspondence, photos of Bill Broyles, 1973-1991

 File — Box 2989, Folder: 14
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: 1973-1991

Correspondence regarding film rights, 1983-1985

 File — Box 3, Folder: 1
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1983-1985