Film
Found in 1034 Collections and/or Records:
Advertising sample (5.5 x 8.5 color card)
Aftermath: A Test of Love. Directed by Glenn Jordan and starring Richard Chamberlain and Michael Learned. (Black 3” binder), 1991
Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.
Ain't that America by Frank Pierson, August 2, 1985
Albert Nobbs. “I only did the screen test in L.A., but not the movie in Ireland.” Directed by Rodrigo García and starring Glenn Close. (Black 2” binder), 2011
Binders containing scripts, costume sketches, research materials, production notes, and other documentation for film projects. Arranged chronologically by broadcast date of the films.
All is Lost. Script. (White 1” binder) , 2013
Binders containing scripts, costume sketches, research materials, production notes, and other documentation for film projects. Arranged chronologically by broadcast date of the films.
All is Lost. Written and directed by J. C. Chandor and starring Robert Redford. (Blue 3” binder), 2013
Binders containing scripts, costume sketches, research materials, production notes, and other documentation for film projects. Arranged chronologically by broadcast date of the films.
All revisions through, April 22, 1985
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Alternate plot piece, not used, undated
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
American Place Theater annotated re-write, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater annotated re-write, February 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater re-write, heavily annotated cover page, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater re-write with music percussion notes, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Tempest: 8 costume sketch on Crescent board (15” x 20”); 1 costume sketch (10” x 14); 1 costume sketch (8.5” x 11”), 1998
Original oversized watercolor sketches of costumes for various plays and film projects.
Amish Grace. Directed by Gregg Champion and starring Kimberly Williams-Paisley (Orange 3” portfolio), 2010
Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.
Amish Grace. (Purple 3” portfolio), 2010
Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.
And the Beat Goes On: The Sonny and Cher Story. Adaptation of Sony Bono’s book directed by David Burton Morris and starring Jay Underwood and Renee Faia. (Black 3” binder), 1999
Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.
And the Beat Goes On: The Sonny and Cher Story. Costume chart and script. (Black 1” binder), 1999
Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.