Skip to main content

Film

 Subject
Subject Source: Local sources

Found in 1034 Collections and/or Records:

Advertising sample (5.5 x 8.5 color card)

 File — Box 14, Folder: 9
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: 1982-1992

Aftermath: A Test of Love. Directed by Glenn Jordan and starring Richard Chamberlain and Michael Learned. (Black 3” binder), 1991

 Item — Box 2915, item: 3
Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Dates: Broadcast: 1991

Ain't that America by Frank Pierson, August 2, 1985

 File — Box 356, Folder: 6
Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...
Dates: August 2, 1985

Albert Nobbs. “I only did the screen test in L.A., but not the movie in Ireland.” Directed by Rodrigo García and starring Glenn Close. (Black 2” binder), 2011

 Item — Box 2912, item: 3
Sub-Series Description From the Sub-Series:

Binders containing scripts, costume sketches, research materials, production notes, and other documentation for film projects. Arranged chronologically by broadcast date of the films.

Dates: Broadcast: 2011

All is Lost. Script. (White 1” binder) , 2013

 Item — Box 2912, item: 5
Sub-Series Description From the Sub-Series:

Binders containing scripts, costume sketches, research materials, production notes, and other documentation for film projects. Arranged chronologically by broadcast date of the films.

Dates: Broadcast: 2013

All is Lost. Written and directed by J. C. Chandor and starring Robert Redford. (Blue 3” binder), 2013

 Item — Box 2912, item: 4
Sub-Series Description From the Sub-Series:

Binders containing scripts, costume sketches, research materials, production notes, and other documentation for film projects. Arranged chronologically by broadcast date of the films.

Dates: Broadcast: 2013

All revisions through, April 22, 1985

 File — Box 307, Folder: 3
Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Dates: April 22, 1985

Alternate plot piece, not used, undated

 File — Box 322, Folder: 2
Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Dates: undated

American Place Theater annotated re-write, February 13, 1991

 File — Box 4, Folder: 9
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: February 13, 1991

American Place Theater annotated re-write, February 1991

 File — Box 4, Folder: 11
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: February 1991

American Place Theater re-write, heavily annotated cover page, February 13, 1991

 File — Box 4, Folder: 12
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: February 13, 1991

American Place Theater re-write with music percussion notes, February 13, 1991

 File — Box 4, Folder: 10
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: February 13, 1991

American Tempest: 8 costume sketch on Crescent board (15” x 20”); 1 costume sketch (10” x 14); 1 costume sketch (8.5” x 11”), 1998

 Item — Box 2937, item: 1
Scope and Contents From the Sub-Series:

Original oversized watercolor sketches of costumes for various plays and film projects.

Dates: 1998

Amish Grace. Directed by Gregg Champion and starring Kimberly Williams-Paisley (Orange 3” portfolio), 2010

 Item — Box 2921, item: 1
Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Dates: Broadcast: 2010

Amish Grace. (Purple 3” portfolio), 2010

 Item — Box 2921, item: 2
Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Dates: Broadcast: 2010

And the Beat Goes On: The Sonny and Cher Story. Adaptation of Sony Bono’s book directed by David Burton Morris and starring Jay Underwood and Renee Faia. (Black 3” binder), 1999

 Item — Box 2919, item: 1
Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Dates: Broadcast: 1999

And the Beat Goes On: The Sonny and Cher Story. Costume chart and script. (Black 1” binder), 1999

 Item — Box 2919, item: 2
Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Dates: Broadcast: 1999

Animals, Birds

 Item — Box 876
Sub-Series Description From the Sub-Series: Original carved and inked woodblocks created by Barbara Whitehead commissioned by the Encino Press. These blocks have been scanned and printed on plain paper for ease of access. See print-outs and accompanying zip-disks in box 877. Print-outs are annotated with either a title taken from the block or simply a descriptive cataloger-assigned title; these are the titles listed in this quide. Prnt-outs are also annotated with the titles of books in which the images appeared, such as: Deep Like...
Dates: undated

Anniversary meeting audiocassettes, 1985

 File — Box 271, Folder: 3
Sub-Series Description From the Sub-Series: The Texas Institute of Letters was organized in 1936 during the year of the Texas Centennial for the purpose of the "promotion and recognition of literature in Texas." It evolved into an organization which met annually and awarded literary prizes to works by Texas authors. Bill Wittliff joined the TIL in 1969 and was president from 1974 to 1978. He wrote and published a history of the Institute, The Texas Institute of Letters, 1936 - 1966. He and Encino Press had received awards from TIL...
Dates: Other: 1985

Annotated and signed typescript, 2 pages, undated

 File — Box 14, Folder: 6
Series Description From the Series: Many of the short stories represented in this series were published in short story compilations Motel Chronicles(1982) and Cruising Paradise(1996). The series has been arranged by those compilation titles. Volador was a working title for Cruising Paradise; those files immediately precede the files labeled Cruising Paradise. The...
Dates: undated