Music -- Texas

Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Scope and Contents From the Collection: Archival materials received from James Broadway, mariachi musician and student of Benjamin Valdez. Materials date from the late 1930s-2021 and are comprised primarily of manuscript copies and research materials for a memoir of Benjamin Valdez, founding member of the seminal music group Los Conquistadores (active late 1930s-1970s) with Jose Morante and Enrique Rodriguez. Materials include handwritten stories, song lyrics, music notation, artifacts, ephemera, photographs of notable...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series:

Series III: Record Labels, 1950-2016,undated

Boxes 165-171

Arranged alphabetically by record label, this series contains promotional material, business documents, and catalogs from prominent Tejano record labels. Hacienda Records is particularly well-represented. Also,of note is correspondence from Carmen Marroquin (of the sister musical act Carmen and Laura) whose husband Armando Marroquin founded Ideal Records.

Series Description From the Series:

Series III: Record Labels, 1950-2016,undated

Boxes 165-171

Arranged alphabetically by record label, this series contains promotional material, business documents, and catalogs from prominent Tejano record labels. Hacienda Records is particularly well-represented. Also,of note is correspondence from Carmen Marroquin (of the sister musical act Carmen and Laura) whose husband Armando Marroquin founded Ideal Records.