Music -- Texas
Found in 12756 Collections and/or Records:
Wharton County Junior College Lecture pamphlet, October 6, 2005
Archival materials relating to the career and personal life of musician/playwright/author, Bobby Bridger from 1944-2018. Included are photographs (including a photo of Bridger with Lady Bird Johnson); promotional material for A Ballad of the West; handwritten lyrics such as Heal in the Wisdom; and Bridger’s vinyl records of Merging of our Minds, And I Wanted to Sing for the People, and Heal in the Wisdom. Also, included in the collection is a screenplay for Shakespeare and the Indians.
What a Way to Live Clay Blaker, LP (2), 1981
Series III: Clay Blaker relates to the Country music songwriter and includes photos, LPs and cassettes, posters, and a Platinum sales award. There is also a Texas Ranger baseball jersey signed by Blaker.
“What’s the Matter” (loose pages)
Wheat Straw (4 photographs)
Wheatley, Randall – “Fish Camp”, August 1985
Wheatley, Randall – “Fish Camp”, October 1985
Wheatley, Randall – “Fish Camp”, March 1986
Wheeler, Mark and Davis, Tony
Where the Tall Grass Grows, notebook, undated
Archival materials relating to the career and personal life of musician/playwright/author, Bobby Bridger from 1944-2018. Included are photographs (including a photo of Bridger with Lady Bird Johnson); promotional material for A Ballad of the West; handwritten lyrics such as Heal in the Wisdom; and Bridger’s vinyl records of Merging of our Minds, And I Wanted to Sing for the People, and Heal in the Wisdom. Also, included in the collection is a screenplay for Shakespeare and the Indians.
Where the Tall Grass Grows, production schedule, undated
Archival materials relating to the career and personal life of musician/playwright/author, Bobby Bridger from 1944-2018. Included are photographs (including a photo of Bridger with Lady Bird Johnson); promotional material for A Ballad of the West; handwritten lyrics such as Heal in the Wisdom; and Bridger’s vinyl records of Merging of our Minds, And I Wanted to Sing for the People, and Heal in the Wisdom. Also, included in the collection is a screenplay for Shakespeare and the Indians.
Where’d You Hide the Body, 1995
“Where’d You Hide the Body” (loose pages)
“Where’s Johnny” (loose pages)
Whiskey Flats Honorary Sheriff, Kernville, CA
Memorabilia includes a wide array of music ephemera including ticket stubs, backstage passes, badves, bumper stickers, pins and buttons, belt buckles, matchbooks, guitar picks, audio cassettes, and more.
Whiskey River (Take My Mind) on Johnny Bush
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
White container titled “Ray” containing photos of Benson, 1996
White House office of the Vice President letterhead
Memorabilia includes a wide array of music ephemera including ticket stubs, backstage passes, badves, bumper stickers, pins and buttons, belt buckles, matchbooks, guitar picks, audio cassettes, and more.
White, Lavelle – 3 photographs
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Whitlock, Bobby & Coco Carmel. Lovers (CD) [Willie Nelson guest guitarist], 2008
“Who are you talking to, so late at night?” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.