Music -- Texas
Found in 12936 Collections and/or Records:
The Five Voices, 2016
The Flippers, 2016
(the following contain reviews of An Epic Life or articles by Patoski) Pasatiempo August 15-21, 2008; San Antonio Express-News “SA Life” section June 8, 2008 (two copies); Journal Santa Fe August 11, 2008 (three copies of front section); New York Times Book Review June 1, 2008; “Spotlight” section from Kerrville Daily Times July 10, 2008, June 8, 2008-August 11, 2008
Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.
The Force, 1987
The Friend of Carlos Monzon, 2005-2010, undated, 2005-2010, undated
The Galaxies (with Sunny Ozuna), undated
The Game for a Lifetime, 1995-1996, undated
“The Governor” (loose page)
"The Grand Canyon” (Palo Duro Canyon) (Texas Monthly) - Research and photographs, January 1985
"The Grand Canyon” (Palo Duro Canyon) (Texas Monthly) - Typescript draft, January 1985
The Great McGinty, 1980, undated
The Great Unsigned. . . music from Tucson, Arizona
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
The Harvey Penick Reader, 1997
“The Headlights “Test the Spirit” Demo recorded at Willie Nelson’s studio”, undated
“The Hell They Created” (By Todd Richards and Fred Koller), 1987
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.