Music -- Texas

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Scope and Contents From the Collection:

This small collection is comprised of the handwritten lyrics and chord notations to the country western song “Charlie Dunn”, written in the 1970s by Jerry Jeff Walker for the Texas boot maker by that name, who worked with Buck Steiner, at the Capital Saddlery, on Lavaca Street in Austin, Texas. Also included is the first pair of custom lizard skin boots made for Walker by Dunn, which bear Walker’s initials on the front shaft of each boot.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series:

Series VII: Events, 1982-2018, undated

Boxes 193-196

This series contains photographs, schedules, publicity material, and clippings for events and conferences. The Tejano Conjunto Festival is particularly well-represented. It is arranged alphabetically, and then chronologically.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Abstract From the Series: Series I, “Lyrics for Released Albums,” is divided chronologically into sub-series by album, one for each of his studio albums (and one live album) released between 1989 and 2021: Too Long in the Wasteland, Candyland, Where’d You Hide the Body, It Had to Happen, Walk Between the Raindrops, Saint Mary of the Woods, Live in Aught-Three, Childish Things, Just Us Kids, Complicated Game, and The Horses and the Hounds. Within each album sub-series, the lyrics — mostly hand-written on loose notepad...

Scope and Contents From the Series: In 1985, Nelson, alarmed by reports of failing family farms, decided, with the help of other performers, to stage concert benefits. The proceeds were to be channeled to provide assistance to needy agricultural families. Bill Wittliff served as an adviser to the project. His wife, Sally Wittliff, recommended the Massachusetts social activist, Carolyn Mugar, to administer the project. The first Farm Aid concert was held September 25, 1985 in Champaign, Illinois. By 1995, Nelson had done...

Sub-subseries Description From the Sub-subseries:

This listing refers to interviews conducted by Bill Crawford for which written transcripts and/or notes have been made. Box and folder numbers in this list refer to these transcripts and/or notes. Tape numbers in this list refer to the audiocassette tapes listed more fully in Series III.)

Series Description From the Series: The Audio and Video Material Series includes recordings of interviews conducted by the authors for the Stevie Ray Vaughan biography, as well as earlier recordings of published interviews with Stevie Ray Vaughan and Jimmie Vaughan. Bootleg recordings of various Stevie Ray Vaughan bands, such as the Cobras and Double Trouble, are included in this series, ranging in date from 1975 to 1990, including Stevie Ray Vaughan's last performance. Also included in this series is an audio recording of...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Scope and Contents From the Collection: The Austin City Limits Collection spans the years from 1974 to 2002. It is a diverse collection that contains material and artifacts documenting Austin City Limits and artists connected with the show. The collection was compiled by Bill Arhos (co-creator, executive producer and program director for Austin City Limits), and also documents the Austin Film Festival and PBS-KLRU/KLRN. The collection includes press clippings, publicity materials, photographs, correspondence, galley...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.