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Music -- Texas

 Subject
Subject Source: Library of Congress Subject Headings

Found in 12756 Collections and/or Records:

Flip the Switch (4 photographs)

 File — Box 7, Folder: 3
Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...
Dates: 1975-2018

Floore, John T. [and Stella] (2 photographs)

 File — Box 7, Folder: 4
Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...
Dates: 1975-2018

Flor Alicia, undated

 File — Box 96, Folder: 11
Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...
Dates: undated

Flores, Bobby (7 photographs)

 File — Box 7, Folder: 5
Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...
Dates: 1975-2018

Flores, Rosie

 File — Box 1, Folder: 8
Scope and Contents From the Collection: Cash Edwards and Roger Polson created the 2 linear feet collection of papers for Under the Hat Productions during the company’s sixteen year existence starting in 1984 and ending in 2000. The majority of the papers contained are from the period of 1996 through 1999. The papers include a wide variety of promotional materials for their artist clients as well as a number of market research materials and press clippings. The archivist altered the original order of the collection by alphabetizing...
Dates: 1984-2000

Flores, Sam

 File — Box 9, Folder: 6
Series Description From the Series: This series contains various interviews with people related to or who had contact with Selena. The interviews consist of conversations recorded on audio cassettes, both in person and by telephone. Some interviews have both audiotapes and transcriptions, while others exist only in one format or the other. Interview subjects include Tejano artists, people in the music business, music critics, family, friends, fans, and acquaintances. Because Patoski’s book was an unauthorized biography, he...
Dates: 1993-1995, undated

Florinda Garcia, undated

 File — Box 24, Folder: 18
Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...
Dates: undated

Floyd Dixon - "Dallas Blues," "Helen"

 Item — Box 21, Folder: 24
Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Dates: 1962-1990, undated

Floyd Tillman cover, September, 1978

 Item — Box 24
Series Description From the Series:

This series contains a near-complete run of the newspaper from 1975-2019.

Dates: Publication: September, 1978

Floyd Tillman cover (2), June, 2000

 Item — Box 27
Series Description From the Series:

This series contains a near-complete run of the newspaper from 1975-2019.

Dates: Publication: June, 2000

Fly Away, Lulu

 File — Box 30, Folder: 5
Series Description From the Series: The series is composed of two sub-series Published and Unpublished material. Published material starts with the first short story Shrake published, in 1959, and ending with his last novel to be published, in 2006, this sub-series is arranged chronologically according to publication date. It contains handwritten, typewritten and computer-generated drafts, proofs of all kinds, correspondence, contracts, promotional materials, research files, and press clippings. The book with the...
Dates: circa 1950-1979

Flyers, 1988, undated

 Series
Series Description

Series VII, “Flyers, 1998, undated,” contains concert flyers from various gigs and appearances

Dates: 1988, undated

Flyers for cookoff “starring Willie Nelson, “El Curro” & Los Flamencos, July 27-28, 1974

 Item — Box 19, Folder: 12
Series Description From the Series:

The bulk of Kindrick’s personal papers include clippings of his “Offbeat” column that appeared in the San Antonio Express News, 1968-1974. The column is a precursor to the workhe would later do at Action Magazine, and the subjects are similar: music, culture, off-beat stories of sports, politics, and society.

Dates: July 27-28, 1974

Flyers for Sam Kindrick’s First Outdoor Revival and Music Extravaganza featuring “The Lost Gonzo Band” , Sunday, June 5, 1983

 Item — Box 19, Folder: 10
Series Description From the Series:

The bulk of Kindrick’s personal papers include clippings of his “Offbeat” column that appeared in the San Antonio Express News, 1968-1974. The column is a precursor to the workhe would later do at Action Magazine, and the subjects are similar: music, culture, off-beat stories of sports, politics, and society.

Dates: Sunday, June 5, 1983

Flying Fish

 File — Box 7, Folder: 5
Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Dates: 1978-1998, undated

Flynt, Larry (3 photographs); press conference

 File — Box 7, Folder: 6
Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...
Dates: 1975-2018

FM Records

 File — Box 7, Folder: 2
Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Dates: 1978-1998, undated

Foam drink koozie, “Compliments of Texas Hatters” in remembrance of the first annual second signing of the Texas Declaration of Independence

 Item — Box 14
Series Description From the Series:

The bulk of this series is a variety of artist t-shirts. Also included are a number of hats.

Dates: 1973 - 2012

Folder labeled “Liberty Bar and Mission Street, 85,” containing lyrics and notes from San Antonio, 1985. Songs include “Storekeeper” (later released on Candyland, 1992) and Unknown: “Get your guitar out and play, dear James” (loose pages), 1985

 File — Box 8, Folder: 6
Series Description From the Series:

Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.

Dates: 1985

Folder labeled “Ranch House 84-85” containing lyrics for early songs including “Small Town Boogie”; Unknown: “New Year’s Eve and no one’s here”; “Your Ex Old Man”; Unknown: “Why some people live here, I don’t know”; Unknown: “How’d it get this way”; Unknown: “Just lookin’ for a song to sing”; Unknown: “Alone in the night …” (loose pages), 1985

 File — Box 8, Folder: 10
Series Description From the Series:

Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.

Dates: 1985