Music -- Texas
Found in 12936 Collections and/or Records:
Clifford at radio station with Jody part 2 (camera mic) A-cam only, July 11, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford at the second club location (Anderson Ln.), June 4, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford driving, third location (Guadalupe)
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford in front of first location of Club (6th st) talking about the early days , June 4, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford in record store and clothing store part 1, A-camera only, June 5, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford in record store part 2, A-camera only, June 5, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview #2 , March 22, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview #2 , March 22, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview #2 at law office, March 22, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview #2 at law office, March 22, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview at his apartment, camera only, June 1, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview at law offices, March 21, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview at law offices, master shot, March 21, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview re-shoot
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview re-shoot
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford interview sharing photos; Clifford in club for the first time in 3 years, June 1, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford walking into club for the first time in 3 years, June 2, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Clifford’s All Stars/ Clifford on stage with Eve Monsees, July 10, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Cliffside of the Pinkeyed Sky, 2017
Clifton Chenier
This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.