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Music -- Texas

 Subject
Subject Source: Library of Congress Subject Headings

Found in 13423 Collections and/or Records:

Blue Oyster Cult cover, August 1980

 File — Box 1, Folder: 3
Scope and Contents From the Collection: It’s Only Rock ’N’ Roll was an indie music newspaper published in San Antonio from May 1978 to April 1982. The publication chronicled the rise of punk and New Wave music in San Antonio and Austin, reporting on national touring acts like Blondie, Elvis Costello, Patti Smith, the Ramones, the Clash and the Sex Pistols, as well as local and regional rock ’n’ roll, blues and heavy metal acts. Issues included record reviews, guest columns, nightclub listings and...
Dates: August 1980

Blue Paia Maui [Nelson home in Hawaii] baseball cap inscribed “To Jerry Love Willie Nelson, 2009”

 Item — Box 20
Series Description From the Series:

The bulk of this series is a variety of artist t-shirts. Also included are a number of hats.

Dates: 1973 - 2012

Blue Smoke, Dolly Parton, Dolly Records. Track 11 “From Here to the Moon and Back” Willie Nelson featuring Dolly Parton, 2014

 Item — Box 3593, item: 30
Scope and Contents From the Collection:

Materials date from 1964-2018 and consist of CDs, CD-Rs DVDs, 45 rpm records, 33 rpm LPs, 16 mm B/W film, video reel and a 30 ips tape master. All recordings are either written by or featuring Willie Nelson as guest artist or performer.

Dates: 2014

Blues: Alan Haynes, Matt Murphy, John Lee Hooker, Jimmy Spacek , April, 1985

 Item — Box 25
Series Description From the Series:

This series contains a near-complete run of the newspaper from 1975-2019.

Dates: Publication: April, 1985

Blues Bag, undated

 File — Box 6, Folder: 33
Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...
Dates: undated

Blues Boy Hubbard concert, Major D’s, April 19, 2003

 Item — Box 2, item: 23a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: April 19, 2003

Blues Boy Hubbard concert, Major D’s, April 19, 2003

 Item — Box 2, item: 23b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: April 19, 2003

Blues Boy Hubbard interview

 Item — Box 1, item: 1a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Blues Boy Hubbard interview continued

 Item — Box 1, item: 2a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Blues Boy Hubbard interview continued

 Item — Box 1, item: 2b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Blues Boy Hubbard interview – wide master

 Item — Box 1, item: 1b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Blues Boy Hubbard playing solo – A camera only -beginning of Guy Forsyth interview part I

 Item — Box 1, item: 3a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

"Blues Guitar: The Men Who Made the Music" by Obrecht, Jas, Editor

 File — Box 16, Folder: 10
Series Description From the Series: The Patoski Files, maintained by Joe Nick Patoski, are divided into the same subseries as the Crawford Files: Research Materials, and Book Production Materials. The cataloger has maintained as much of Patoski's original order as possible for this material, but imposed some additional degree of order in the interest of accessibility. The Research Materials, 1977-1993, include numerous interview transcripts and audiotapes, published books on the music industry with Patoski's notes. Notable...
Dates: 1977-1993, undated

Blues History

 File — Box 4, Folder: 8
Series Description From the Series: Maintained by Bill Crawford, the Crawford Files constitute the bulk of the record group and reflect Crawford's original order. The records on the Research Materials subseries, 1994-1993, document the primary and secondary research of Stevie Ray Vaughan's life conducted largely by Bill Crawford. Included are a large quantity of interview transcripts and audiotapes, a copy of Stevie Ray Vaughan's death certificate, and Vaughan family genealogical material. Of special note are numerous...
Dates: 1964-1992

Blues: Research for Westways: "Chasing the Blues" article

 File — Box 12, Folder: 3
Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Dates: 1929-1998, undated

BMF, 2007, undated

 File — Box 6, Folder: 34
Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...
Dates: 2007, undated

BMG, 1990, 1995, undated

 File — Box 165, Folder: 12
Series Description From the Series:

Series III: Record Labels, 1950-2016,undated

Boxes 165-171

Arranged alphabetically by record label, this series contains promotional material, business documents, and catalogs from prominent Tejano record labels. Hacienda Records is particularly well-represented. Also,of note is correspondence from Carmen Marroquin (of the sister musical act Carmen and Laura) whose husband Armando Marroquin founded Ideal Records.

Dates: 1990, 1995, undated

BNA Records

 File — Box 4, Folder: 16
Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Dates: 1978-1998, undated

BNetRadio, undated

 File — Box 172, Folder: 4
Series Description From the Series:

Series IV: Media Outlets, 1964-2014, undated Boxes 172-177

The bulk of the series is radio station press kits and promotional material. There are a small number of TV stations, news outlets, and film production companies also included. The many radio station coverage maps that span all across Texas are unexpected highlights of this series.

Dates: undated

Bo Garza & Youngblood, 1989

 File — Box 25, Folder: 4
Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...
Dates: 1989