Music journalists

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series:

Series III: Record Labels, 1950-2016,undated

Boxes 165-171

Arranged alphabetically by record label, this series contains promotional material, business documents, and catalogs from prominent Tejano record labels. Hacienda Records is particularly well-represented. Also,of note is correspondence from Carmen Marroquin (of the sister musical act Carmen and Laura) whose husband Armando Marroquin founded Ideal Records.

Scope and Contents From the Collection: It’s Only Rock ’N’ Roll was an indie music newspaper published in San Antonio from May 1978 to April 1982. The publication chronicled the rise of punk and New Wave music in San Antonio and Austin, reporting on national touring acts like Blondie, Elvis Costello, Patti Smith, the Ramones, the Clash and the Sex Pistols, as well as local and regional rock ’n’ roll, blues and heavy metal acts. Issues included record reviews, guest columns, nightclub listings and...

Scope and Contents From the Collection: It’s Only Rock ’N’ Roll was an indie music newspaper published in San Antonio from May 1978 to April 1982. The publication chronicled the rise of punk and New Wave music in San Antonio and Austin, reporting on national touring acts like Blondie, Elvis Costello, Patti Smith, the Ramones, the Clash and the Sex Pistols, as well as local and regional rock ’n’ roll, blues and heavy metal acts. Issues included record reviews, guest columns, nightclub listings and...

Scope and Contents From the Collection: It’s Only Rock ’N’ Roll was an indie music newspaper published in San Antonio from May 1978 to April 1982. The publication chronicled the rise of punk and New Wave music in San Antonio and Austin, reporting on national touring acts like Blondie, Elvis Costello, Patti Smith, the Ramones, the Clash and the Sex Pistols, as well as local and regional rock ’n’ roll, blues and heavy metal acts. Issues included record reviews, guest columns, nightclub listings and...

Scope and Contents From the Collection: It’s Only Rock ’N’ Roll was an indie music newspaper published in San Antonio from May 1978 to April 1982. The publication chronicled the rise of punk and New Wave music in San Antonio and Austin, reporting on national touring acts like Blondie, Elvis Costello, Patti Smith, the Ramones, the Clash and the Sex Pistols, as well as local and regional rock ’n’ roll, blues and heavy metal acts. Issues included record reviews, guest columns, nightclub listings and...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series: This series is arranged alphabetically by author and includes mostly photocopied short stories and screenplays. Two notable items relating to Lewis are a forty-six page biography, Grover Lewis: The Uncommon Insight and Grace of an Ordinary Man, written by longtime friend and poet R.K. Scott; and the screenplay Deep Ellum, by Stan Vosper, Jr., based on Lewis’s adolescent days with Larry McMurtry and other North Texas friends. ...

Scope and Contents From the Collection: Archival material pertaining to the life and career of writier and rock historian, Ed Ward (1948-2021). Materials dating 1962-2019 include interview transcripts (musicians, bands, music industry icons), memorabilia and ephemera pertaining to Ward’s staff positions with Rolling Stone and the Austin American-Statesman, early writings, copies of the Antioch College McDowell Weakly, research materials (including reporter’s notebooks, notepads and index cards) pertaining to music, art, food and...

Series Description From the Series: The Audio and Video Material Series includes recordings of interviews conducted by the authors for the Stevie Ray Vaughan biography, as well as earlier recordings of published interviews with Stevie Ray Vaughan and Jimmie Vaughan. Bootleg recordings of various Stevie Ray Vaughan bands, such as the Cobras and Double Trouble, are included in this series, ranging in date from 1975 to 1990, including Stevie Ray Vaughan's last performance. Also included in this series is an audio recording of...

Scope and Contents From the Series:

Archival materials following music critic Brian Atkinson’s career from 1981 to 2015. Included are song lyrics, interview cassette tapes (Kent and Jenni Finlay, Terri Hendrix, James McMurtry, and Harold Eggers, etc.), newspaper articles, manuscripts, and promotion materials for concerts. The folder titles reflect Atkinson’s original descriptions.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Scope and Contents From the Collection:

Writer and journalist Brian T. Atkinson donated his interviews, research, notes, and drafts for his articles and for his book I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt. Included in this donation are over 200 audiocassettes that contain interviews with legendary musicians about Townes Van Zandt.

Sub-subseries Description From the Sub-subseries:

This listing refers to interviews conducted by Joe Nick Patoski for which written transcripts and/or notes have been made. Box and folder numbers in this list refer to these transcripts and/or notes. Tape numbers in this list refer to the audiocassette tapes listed more fully in Series III.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...