Music journalists

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series: Maintained by Bill Crawford, the Crawford Files constitute the bulk of the record group and reflect Crawford's original order. The records on the Research Materials subseries, 1994-1993, document the primary and secondary research of Stevie Ray Vaughan's life conducted largely by Bill Crawford. Included are a large quantity of interview transcripts and audiotapes, a copy of Stevie Ray Vaughan's death certificate, and Vaughan family genealogical material. Of special note are numerous...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Scope and Contents From the Series: Archival material donated by Rae Lewis relating to the life, writing career, and death of Rolling Stone and Texas Monthly journalist, Grover Lewis’ dating 1962-2015. Materials include extensive notes, research materials, correspondence, publishing contracts and manuscript drafts for Lewis’ unpublished memoir, “Goodbye If You Call That Gone” and unpublished novel, “Code of the West”, the posthumous anthology, Splendor in the Short Grass: The Grover Lewis Reader, drafts of unproduced...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description

Series VI: Awards, 1979-2017, undated Boxes 181-192

Arranged alphabetically by award ceremony name, and then chronologically. Publicity material for music award ceremonies, such as the Grammys, Latin Grammys, Tejano Music Awards, and Noche de Fiesta Tejana comprise the bulk of this series. Of note are the business records of the Texas Talent Musicians Association as they created the Tejano Music Awards. Boxes 189-192 contain awards, arranged chronologically.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in...

Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...

Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...