Music journalists

Series Description From the Series: Series II: Posters and Oversized Materials, 1948-2018, undated Boxes 156-164 and map case drawers 36-44This series can be seen as a continuation of the Artists Files, but with material that does not fit in standard document boxes. There are two exceptions to this: the majority of boxes, including the oversized ones, for Little Joe Hernandez (boxes 33-46) and Selena (boxes 121-142) are housed within Series I: Artists Files due to the sheer quantity of material, but as with all...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Sub-subseries Description From the Sub-subseries:

This listing refers to interviews conducted by Bill Crawford for which written transcripts and/or notes have been made. Box and folder numbers in this list refer to these transcripts and/or notes. Tape numbers in this list refer to the audiocassette tapes listed more fully in Series III.)

Series Description From the Series: The Audio and Video Material Series includes recordings of interviews conducted by the authors for the Stevie Ray Vaughan biography, as well as earlier recordings of published interviews with Stevie Ray Vaughan and Jimmie Vaughan. Bootleg recordings of various Stevie Ray Vaughan bands, such as the Cobras and Double Trouble, are included in this series, ranging in date from 1975 to 1990, including Stevie Ray Vaughan's last performance. Also included in this series is an audio recording of...

Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Scope and Contents From the Collection: It’s Only Rock ’N’ Roll was an indie music newspaper published in San Antonio from May 1978 to April 1982. The publication chronicled the rise of punk and New Wave music in San Antonio and Austin, reporting on national touring acts like Blondie, Elvis Costello, Patti Smith, the Ramones, the Clash and the Sex Pistols, as well as local and regional rock ’n’ roll, blues and heavy metal acts. Issues included record reviews, guest columns, nightclub listings and...

Series Description From the Series:

The second largest series in the collection is the audiocassette tapes. The cassettes are arranged in alphabetical order and include Austin bands such as: The Chickadiesles, John Cale, Clifford Antone, Ray Wylie, and Stevie Ray Vaughan.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.

Series Description From the Series:

The second largest series in the collection is the audiocassette tapes. The cassettes are arranged in alphabetical order and include Austin bands such as: The Chickadiesles, John Cale, Clifford Antone, Ray Wylie, and Stevie Ray Vaughan.

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series:

The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...