Music journalists

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series X: Publications, 1981-2016, undated Boxes 217-222Arranged alphabetically by title, and then chronologically. Unless noted, all are full issues. Publications with longer runs (including Latin Connection, Street Talk, Que Onda, Nuestra Musica, and TGN have been added to the Wittliff’s book collection to be...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series X: Publications, 1981-2016, undated Boxes 217-222Arranged alphabetically by title, and then chronologically. Unless noted, all are full issues. Publications with longer runs (including Latin Connection, Street Talk, Que Onda, Nuestra Musica, and TGN have been added to the Wittliff’s book collection to be...

Series Description From the Series: Series X: Publications, 1981-2016, undated Boxes 217-222Arranged alphabetically by title, and then chronologically. Unless noted, all are full issues. Publications with longer runs (including Latin Connection, Street Talk, Que Onda, Nuestra Musica, and TGN have been added to the Wittliff’s book collection to be...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series:

This series contains a near-complete run of the newspaper from 1975-2019.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series: This series contains coverage of Selena mainly in the form of newspaper and magazine clippings. However, there are other items such as scholarly papers and rough drafts of Patoski’s magazine articles for Texas Monthly. This material has been arranged in chronological and subject order by the archivist.Lake Jackson (1971-1985, undated) The clippings cover Selena’s beginnings in Lake Jackson. Under this topic is her birth announcement, news about the Dow Chemical plant where her...

Series Description From the Series:

This series contains research on various people and places (arranged in alphabetical order), in the form of typewritten notes, photographs, scholarly papers, Tejano Press kits, Abraham’s military records, a Selena Boutique catalog and information on Texas radio stations. Yolanda Saldivar’s folder within this series contains her signed murder confession with the Corpus Christi police. In addition, there is extensive information collected on Tejano music and Tejano stars.

Scope and Contents From the Series: Archival material donated by Rae Lewis relating to the life, writing career, and death of Rolling Stone and Texas Monthly journalist, Grover Lewis’ dating 1962-2015. Materials include extensive notes, research materials, correspondence, publishing contracts and manuscript drafts for Lewis’ unpublished memoir, “Goodbye If You Call That Gone” and unpublished novel, “Code of the West”, the posthumous anthology, Splendor in the Short Grass: The Grover Lewis Reader, drafts of unproduced...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Series Description From the Series: Series I: Artists Files, 1922-2019, undated Boxes 1-155 Artist Files comprise the bulk of the collection. The files are separated into Male Artist Files and Female Artist Files to maintain Hernández’s original order. Both series are then arranged alphabetically by artist last name or band name. Although the series is titled Artists Files, there are also entrepreneurs, community leaders, promoters, street performers, and many others represented.The material found in each...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Series Description From the Series:

The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.