Music journalists
Found in 8894 Collections and/or Records:
Gilmore, Mikal, “Shot in the Dark: The Story of an American Family, in Murder” , undated
Gimble, Johnny – interview notes, 1992
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
"Gimmo a character in some of Grover's nightmares when he was a kid"; Original notes for Grover Lewis' unpublished memoir, "Goodbye If You Call That Gone", undated
Gina Chavez, 2014
Gina Leyva, undated
Gina, Lisa (16 slides)
Gina Vega, undated
Gingbreadmen, 1991, undated
Girl in a Coma - Clippings, 2007-2018, undated
Girl in a Coma - Magazines, 2011, 2013
Girls in the Nose
This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.
"GL Family Photos + Edward Anderson"; Lewis family photographs, photographs of Edward Anderson and his gravesite. Some photographs are identified on back, circa 1930-1940
"GL Misc. Notes, Letters, Ephemera"; Dr. Pepper Museum entry chips (2), attendance badges (2), cocktail tickets (2), letter, press release for Lewis' " I'll Be There in the Morning if I Live" AP Style Book, 1993, 1997
"G.L. - Reprints Rights"; Correspondence and faxes pertaining to reprint permissions for works by Grover Lewis, notes, 1990, 1999-2000
Glass Eye – 3 photographs; “Glitch News” vol. 4, no. 4, April 1988; 11 x 17 broadside for “Hello Young Lovers”
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.