Music journalists
Found in 8894 Collections and/or Records:
Eddie Grant
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
Eddie Guerrero, undated
Eddie “Lalo” Torres, 1992, undated
Eddie Moreno, undated
Eddie Olivares, undated
Eddie Pérez , undated
Eddie Perez, 2015
Eddie Rey y Los Hermanos Barela, undated
Eddie Reyes y Grupo Destino, undated
Eddie Rodriguez, undated
Eddie Schuler (2 cassettes)
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
Edgar Boeck cover (2), October, 2015
This series contains a near-complete run of the newspaper from 1975-2019.
Edgar Vasquez y Sus Muchachos, 1996, undated
Edgar Winter Group: Roadwork [copy]
The second largest series in the collection is the audiocassette tapes. The cassettes are arranged in alphabetical order and include Austin bands such as: The Chickadiesles, John Cale, Clifford Antone, Ray Wylie, and Stevie Ray Vaughan.
Editorial Comments from Texas Highways, 1999
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
Edmonson, Kat
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.