Theater

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Scope and Contents From the Series: Archival materials following the history of African American Theatre in Texas. The collection includes research done by Dr. Elvin Holt, who co- authored Stages of Struggle and Celebration: A Production History of Black Theatre in Texas along with Dr. Sandra Mayo. These papers are a companion collection to Dr. Mayo’s archive previously established at the Wittliff. Majority of the collection are production programs, fliers, and photos of productions that went on at the Encore and Ensemble...

Scope and Contents From the Series: Archival materials following the history of African American Theatre in Texas. The collection includes research done by Dr. Elvin Holt, who co- authored Stages of Struggle and Celebration: A Production History of Black Theatre in Texas along with Dr. Sandra Mayo. These papers are a companion collection to Dr. Mayo’s archive previously established at the Wittliff. Majority of the collection are production programs, fliers, and photos of productions that went on at the Encore and Ensemble...

Scope and Contents From the Series:

The small group of clippings in this series highlights periods in Paul Baker’s life from his undergraduate years at Trinity University in Waxahachie, TX, to his work at Baylor University, and his retirement in Waelder, TX.

Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Scope and Contents From the Series: The archive of Emmy-award winning costume designer, Van Broughton Ramsey spans 1980-2013 and measures 32 boxes. The bulk of the collection comprises his design binders for various projects; these are arranged according to genre: plays, films, television movies, television mini-series, and television series. There is one binder for his work designing the walk-around costume McGolf, an official mascot of the PGA. There are also several binders containing detailed research files, most arranged...

Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Scope and Contents From the Series: The archive of Emmy-award winning costume designer, Van Broughton Ramsey spans 1980-2013 and measures 32 boxes. The bulk of the collection comprises his design binders for various projects; these are arranged according to genre: plays, films, television movies, television mini-series, and television series. There is one binder for his work designing the walk-around costume McGolf, an official mascot of the PGA. There are also several binders containing detailed research files, most arranged...

Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...

Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Scope and Contents From the Series: The bulk of the scripts in this series are from plays directed or written by Paul Baker. Other scripts were written by students, friends or relatives of Baker. Many of the scripts have been annotated and some are in an early or rough stage. The scripts have been arranged alphabetically by author.Highlights in this series include three plays by the Bakers’ daughter, Sallie Baker Laurie, and two versions of Hamlet, one as arranged by Paul Baker and a...

Series Description From the Series: The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...

Series Description From the Series: The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...

Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...