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Theater

 Subject
Subject Source: Library of Congress Subject Headings

Found in 962 Collections and/or Records:

Original ending (pencil draft)

 File — Box 12, Folder: 1
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: circa 1980s

Other business correspondents A-Z, unidentified, 1955 - 1983

 File — Box 33, Folder: 11
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1955 - 1983

Our Sons. Directed by John Erman and starring Ann-Margret, Julie Andrews and Hugh Grant. (Black 3” binder), 1991

 Item — Box 2915, item: 2
Scope and Contents From the Sub-Series:

Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.

Dates: Broadcast: 1991

Our Town, by Thorton Wilder, notes

 File — Box 24, Folder: 3
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

Our Town, by Thorton Wilder, script and notes

 File — Box 24, Folder: 2
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

Outlaws, (Paul Hogan): 1 costume sketch on watercolor board (15” x 20”), 1992

 Item — Box 2936, item: 3
Scope and Contents From the Sub-Series:

Original oversized watercolor sketches of costumes for various plays and film projects.

Dates: 1992

Oversized Original Sketches, 1982-2003, undated

 Sub-Series
Scope and Contents

Original oversized watercolor sketches of costumes for various plays and film projects.

Dates: 1982-2003, undated

Pamphlets and letter from Audrey Wood to Hal Willis of Hal Willis Productions, 1977-1978, 1980

 File — Box 9, Folder: 5
Series Description From the Series: The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates: 1977-1978, 1980

Passage and Water & Stone

 File — Box 28, Folder: 4
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

“Passage” (drafts and notes)

 File — Box 24, Folder: 19
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

Patterson, Paul. Crazy Women in the Rafters. Norman: University of Oklahoma Press, 1976

 File — Box 2, Folder: 4
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: 1976

Paul Baker: A Profile (tape missing from folder 4), undated

 File — Box 6, Folder: 3-4
Scope and Contents From the Series: This series, made up of the subseries Tributes and Interviews, Play Productions, Educational, and Miscellaneous, documents the Bakers’ lifelong involvement in theater and education. Within each series the cassettes have been arranged alphabetically by title. Many of the cassettes in the Tributes and Interviews, and Educational Subseries offer insight into Paul Baker’s philosophy of education, while the cassettes in the Play Productions Subseries provide examples of Baker’s work as a...
Dates: undated

Paul Baker Festival Files, 1983-1986, 1990-1991

 Sub-Series
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1983-1986, 1990-1991

Paul Baker Festival mailing list, February 27, 1990

 File — Box 19, Folder: 4
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: February 27, 1990

Paul Baker interview with Robert Flynn. The Arts and Education Reform Town Meeting/Round Table with the Secretary of Education and others, undated

 File — Box 6, Folder: 2
Scope and Contents From the Series: This series, made up of the subseries Tributes and Interviews, Play Productions, Educational, and Miscellaneous, documents the Bakers’ lifelong involvement in theater and education. Within each series the cassettes have been arranged alphabetically by title. Many of the cassettes in the Tributes and Interviews, and Educational Subseries offer insight into Paul Baker’s philosophy of education, while the cassettes in the Play Productions Subseries provide examples of Baker’s work as a...
Dates: undated

Paul Baker Second Harvest Tribute - 2 hr. 20 min. film featuring individual tributes from Baker's ex-students with Master of Ceremonies Mary Sue Jones, 1990

 File — Box 3, Folder: 3
Scope and Contents From the Series: This series, made up of the subseries Tributes and Interviews, Play Productions, Educational, and Miscellaneous, documents the Bakers’ lifelong involvement in theater and education. Within each series the cassettes have been arranged alphabetically by title. Many of the cassettes in the Tributes and Interviews, and Educational Subseries offer insight into Paul Baker’s philosophy of education, while the cassettes in the Play Productions Subseries provide examples of Baker’s work as a...
Dates: 1990

Paul Baker’s Second Harvest Film, Jerry Mack Ratliff, 1990

 File — Box 7, Folder: 1
Scope and Contents From the Series: This series, made up of the subseries Tributes and Interviews, Play Productions, Educational, and Miscellaneous, documents the Bakers’ lifelong involvement in theater and education. Within each series the cassettes have been arranged alphabetically by title. Many of the cassettes in the Tributes and Interviews, and Educational Subseries offer insight into Paul Baker’s philosophy of education, while the cassettes in the Play Productions Subseries provide examples of Baker’s work as a...
Dates: 1990

Peebles, Ramona “Princess”, 1981

 File — Box 34, Box: 7
Sub-Series Description From the Sub-Series: Personal correspondence in this subseries includes letters to Vliet from long-time friends such as Ruth Bloom, Harry Clauss, Alan Distler, John Haag, Ralph Houston, and David Lyttle. Several letters from Vliet to Ralph Houston are also included here, presumably sent to Ann Vliet after R.G. Vliet’s death. These letters are of special interest in that they discuss Vliet’s writing and his health. Correspondence from Vliet’s family include genealogical information, and a letter from Vliet’s...
Dates: 1981

Pencil draft

 File — Box 20, Folder: 8
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: 1978, undated

Pencil draft

 File — Box 22, Folder: 3
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: 1977 - 1982