Theater

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Sub-Series Description Personal correspondence in this subseries includes letters to Vliet from long-time friends such as Ruth Bloom, Harry Clauss, Alan Distler, John Haag, Ralph Houston, and David Lyttle. Several letters from Vliet to Ralph Houston are also included here, presumably sent to Ann Vliet after R.G. Vliet’s death. These letters are of special interest in that they discuss Vliet’s writing and his health. Correspondence from Vliet’s family include genealogical information, and a letter from Vliet’s...

Scope and Contents From the Series: The bulk of this series is comprised of personal correspondence (1942- 1945) between Paul and Kitty Baker while she remained in the U.S., and he was stationed in Iceland and Paris as a Special Services Entertainment Officer during World War II. This group of correspondence is of particular interest in that it offers great insight into the Bakers’ early relationship as husband and wife. The original chronological order in which the Bakers kept this correspondence has been maintained. The...

Scope and Contents From the Series: The bulk of this series is comprised of personal correspondence (1942- 1945) between Paul and Kitty Baker while she remained in the U.S., and he was stationed in Iceland and Paris as a Special Services Entertainment Officer during World War II. This group of correspondence is of particular interest in that it offers great insight into the Bakers’ early relationship as husband and wife. The original chronological order in which the Bakers kept this correspondence has been maintained. The...

Scope and Contents From the Series: The bulk of this series is comprised of personal correspondence (1942- 1945) between Paul and Kitty Baker while she remained in the U.S., and he was stationed in Iceland and Paris as a Special Services Entertainment Officer during World War II. This group of correspondence is of particular interest in that it offers great insight into the Bakers’ early relationship as husband and wife. The original chronological order in which the Bakers kept this correspondence has been maintained. The...

Scope and Contents From the Series: The bulk of this series is comprised of personal correspondence (1942- 1945) between Paul and Kitty Baker while she remained in the U.S., and he was stationed in Iceland and Paris as a Special Services Entertainment Officer during World War II. This group of correspondence is of particular interest in that it offers great insight into the Bakers’ early relationship as husband and wife. The original chronological order in which the Bakers kept this correspondence has been maintained. The...

Scope and Contents From the Series: The bulk of this series is comprised of personal correspondence (1942- 1945) between Paul and Kitty Baker while she remained in the U.S., and he was stationed in Iceland and Paris as a Special Services Entertainment Officer during World War II. This group of correspondence is of particular interest in that it offers great insight into the Bakers’ early relationship as husband and wife. The original chronological order in which the Bakers kept this correspondence has been maintained. The...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Scope and Contents

This series is made up of handwritten notes, commencement programs from Trinity and other Universities, booklets about foreign missionary work, calling cards and other assorted ephemera. The material is arranged by material type.

Scope and Contents

Personal Papers are arranged into the following sub-series: Correspondence, Photographs, Scrapbooks, Clippings, Notebooks, Medical Records, Legal Records, Financial Records, Computer Disks, and Artifacts.

Sub-Series Description From the Sub-Series:

This subseries is comprised of Vliet’s handwritten notes for a class taken at Yale School of Drama, “History of the Theater”, in 1955.

Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.