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Theater

 Subject
Subject Source: Library of Congress Subject Headings

Found in 962 Collections and/or Records:

Literary notes (notes on specific works Vliet read relating them to S.R., authors such as Jung, Monod, more)

 File — Box 7, Folder: 2
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: circa 1980s

Lonesome Dove: 1 original costume sketch for Clara, undated

 File — Box 2908, Folder: 24
Sub-Series Description From the Sub-Series:

Costume sketches by Van Broughton Ramsey for a variety of plays and films.

Dates: undated

Lonesome Dove. William D. Wittliff adaptation of Larry McMurty’s novel, Directed by Simon Wincer and starring Robert Duvall, Tommy Lee Jones, Diane Lane, and Anjelica Huston. Fabric swatches. (Canvas Lonesome Dove 1: binder), 1989

 Item — Box 2922, item: 1
Sub-Series Description From the Sub-Series:

Binders containing scripts, costume designs, research, and other production materials relating to various television mini-series. Arranged chronologically by broadcast date.

Dates: Broadcast: 1989

Lu Ann Act I & II. Dallas Theater Center, tape 1 of 2, 1978

 File — Box 7, Folder: 3
Scope and Contents From the Series: This series, made up of the subseries Tributes and Interviews, Play Productions, Educational, and Miscellaneous, documents the Bakers’ lifelong involvement in theater and education. Within each series the cassettes have been arranged alphabetically by title. Many of the cassettes in the Tributes and Interviews, and Educational Subseries offer insight into Paul Baker’s philosophy of education, while the cassettes in the Play Productions Subseries provide examples of Baker’s work as a...
Dates: 1978

Lu Ann Act III. Dallas Theater Center, 1978

 File — Box 7, Folder: 4
Scope and Contents From the Series: This series, made up of the subseries Tributes and Interviews, Play Productions, Educational, and Miscellaneous, documents the Bakers’ lifelong involvement in theater and education. Within each series the cassettes have been arranged alphabetically by title. Many of the cassettes in the Tributes and Interviews, and Educational Subseries offer insight into Paul Baker’s philosophy of education, while the cassettes in the Play Productions Subseries provide examples of Baker’s work as a...
Dates: 1978

LuAnn Hampton Laverty Oberlander, by Preston Jones, script and notes

 File — Box 24, Folder: 1
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated

“Lucy. Diane Lane” 1 costume sketch on watercolor board (15” x 20”), undated

 Item — Box 2936, item: 5
Scope and Contents From the Sub-Series:

Original oversized watercolor sketches of costumes for various plays and film projects.

Dates: undated

Lucy Kroll Agency, 1961 - 1984

 File — Box 32, Folder: 20
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1961 - 1984

Lyttle, David (including manuscript “Down Near the Back Road” and annotated book of poetry No Other Time), 1963 - 1985

 File — Box 34, Box: 6
Sub-Series Description From the Sub-Series: Personal correspondence in this subseries includes letters to Vliet from long-time friends such as Ruth Bloom, Harry Clauss, Alan Distler, John Haag, Ralph Houston, and David Lyttle. Several letters from Vliet to Ralph Houston are also included here, presumably sent to Ann Vliet after R.G. Vliet’s death. These letters are of special interest in that they discuss Vliet’s writing and his health. Correspondence from Vliet’s family include genealogical information, and a letter from Vliet’s...
Dates: 1963 - 1985

Magazines

 File — Box 25, Folder: 8-9
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: Publication: 1983

Mail-order catalogs and clippings, lamps

 File — Box 28, Folder: 5
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1931-1992, undated

Manuscript, pencil draft, undated

 File — Box 3, Folder: 6
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: Other: undated

Manuscript (pencil draft)

 File — Box 14, Folder: 6-8
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: Publication: 1977

Manuscript (pencil draft)

 File — Box 23, Folder: 5
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: 1960

Manuscripts used in revision of Soledad, 1982

 File — Box 18, Folder: 6
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: 1982

Maps

 File — Box 31, Folder: 7
Sub-Series Description From the Sub-Series:

Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.

Dates: undated

Market list

 File — Box 31, Folder: 8
Sub-Series Description From the Sub-Series:

Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.

Dates: undated

Market list, undated

 File — Box 32, Folder: 7
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: undated

Mary Sue Jones in Ladybug, Ladybug Fly Away Home, performed at the American College Theatre Festival, programs, correspondence, and clippings, 1980

 File — Box 11, Folder: 7
Series Description From the Series: The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates: 1980

Mary Sue Jones’ notes and observations about Performance Studies Class, 1991

 File — Box 17, Folder: 6
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1991