Theater

Scope and Contents From the Series:

This series is made up of handwritten notes, commencement programs from Trinity and other Universities, booklets about foreign missionary work, calling cards and other assorted ephemera. The material is arranged by material type.

Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...

Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Scope and Contents From the Sub-Series:

Original oversized watercolor sketches of costumes for various plays and film projects.

Sub-Series Description From the Sub-Series:

Binders containing scripts, costume designs, research, and other production materials relating to various television mini-series. Arranged chronologically by broadcast date.

Sub-Series Description From the Sub-Series:

Binders containing scripts, costume designs, research, and other production materials relating to various television mini-series. Arranged chronologically by broadcast date.

Sub-Series Description From the Sub-Series:

Binders containing scripts, costume designs, research, and other production materials relating to various television mini-series. Arranged chronologically by broadcast date.

Sub-Series Description From the Sub-Series:

Binders containing scripts, costume designs, research, and other production materials relating to various television mini-series. Arranged chronologically by broadcast date.

Sub-Series Description From the Sub-Series:

Binders containing scripts, costume designs, research, and other production materials relating to various television mini-series. Arranged chronologically by broadcast date.

Scope and Contents From the Sub-Series:

Original oversized watercolor sketches of costumes for various plays and film projects.

Sub-Series Description From the Sub-Series:

Binders containing scripts, sketches, budgets, and character plots for a variety of plays. Arranged alphabetically by play title.

Sub-Series Description From the Sub-Series:

Binders containing scripts, sketches, budgets, and character plots for a variety of plays. Arranged alphabetically by play title.

Sub-Series Description From the Sub-Series:

This subseries includes short stories such as “The Morning of the First Day” and “The Morning and the Evening of the First Day”. Many are complete stories, some are fragments or are in draft form. Portions of these examples of Vliet’s early prose would later be worked into the author’s novels.

Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...

Sub-Series Description From the Sub-Series:

Binders containing scripts, sketches, budgets, and character plots for a variety of plays. Arranged alphabetically by play title.

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...

Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...