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Musicians -- Interviews

 Subject
Subject Source: Library of Congress Subject Headings

Found in 563 Collections and/or Records:

Blue Monday part I, March 24, 2003

 Item — Box 1, item: 14b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: March 24, 2003

Blue Monday set, July 14, 2003

 Item — Box 7, item: 103a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: July 14, 2003

Blue Monday set – jam session, July 14, 2003

 Item — Box 7, item: 103b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: July 14, 2003

Blues Boy Hubbard concert, Major D’s, April 19, 2003

 Item — Box 2, item: 23a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: April 19, 2003

Blues Boy Hubbard concert, Major D’s, April 19, 2003

 Item — Box 2, item: 23b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: April 19, 2003

Blues Boy Hubbard interview

 Item — Box 1, item: 1a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Blues Boy Hubbard interview continued

 Item — Box 1, item: 2a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Blues Boy Hubbard interview continued

 Item — Box 1, item: 2b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Blues Boy Hubbard interview – wide master

 Item — Box 1, item: 1b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Blues Boy Hubbard playing solo – A camera only -beginning of Guy Forsyth interview part I

 Item — Box 1, item: 3a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

“Boats to Build-Guy Clark”, Asylum Records, VHS (2 copies)

 Item — Box 10
Series Description From the Series:

This series consists of five subseries: 45rpm Records, Cassette Tapes, Compact Discs, VHS Tapes, and U-Matic Master Tapes.

Dates: 1989-1995, undated

“Boats to Build” TRT 3:47”, VHS

 Item — Box 10
Series Description From the Series:

This series consists of five subseries: 45rpm Records, Cassette Tapes, Compact Discs, VHS Tapes, and U-Matic Master Tapes.

Dates: 1989-1995, undated

Bob Schneider, March 25, 2003

 Item — Box 2, item: 17a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: March 25, 2003

Bob Schneider at Antone’s, A camera only, March 22, 2003

 Item — Box 1, item: 10
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: March 22, 2003

Bob Schneider interview, March 25, 2003

 Item — Box 2, item: 17b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: March 25, 2003

Bobbie Nelson/ A – cam, tape 1

 Item — Box 10, item: 143a
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

Bobbie Nelson/ B-cam, tape 1

 Item — Box 10, item: 143b
Series Description From the Series:

This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.

Dates: 2003

“Bonner/Chandler-New Cut Road Research”; Research on Bonner Family and Mulberry Hill Schoolhouse, Pre-Twentieth Century, undated

 File — Box 2, Folder: 11
Series Description From the Series:

This series documents Saviano's extensive research for her biography of Guy Clark, Without Getting Killed or Caught. It contains five subseries: Interviews/Interview Questions, Research Files, Photographs, Magazines, and Correspondence

Dates: undated

Book tour

 File — Box 17, Folder: 1-2
Series Description From the Series: In April of 1996 Little, Brown and Company administered a book signing tour for Selena: Como la Flor. In addition, Patoski attended lectures and discussions about his book and about biographical work in general. A special event called Selena Trial Revisited was a stage for Patoski to promote his book. Found in this folder are faxes to Patoski from his publisher, brochures of the special events he attended, schedules for his appearance, a audio tape of a radio...
Dates: 1995-1996, undated

Brite, Charlie

 File — Box 8, Folder: 5
Series Description From the Series: This series contains various interviews with people related to or who had contact with Selena. The interviews consist of conversations recorded on audio cassettes, both in person and by telephone. Some interviews have both audiotapes and transcriptions, while others exist only in one format or the other. Interview subjects include Tejano artists, people in the music business, music critics, family, friends, fans, and acquaintances. Because Patoski’s book was an unauthorized biography, he...
Dates: 1993-1995, undated