Documentary films -- Production and direction
Found in 593 Collections and/or Records:
Pilgrimage
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
Pinetop Perkins #1 (arrival), June 17, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins #2 (hotel), June 17, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins & Gatemouth Brown sound check with Clifford, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins interview, June 18, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins interview, June 18, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins interview part 2 (playing), June 18, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins interview part 2 (playing), June 18, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins set part 1, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins set part 1 stereo mix, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins set part 2, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins set part 2 stereo mix, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pipeline draft, 1980
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
Pipeline final version, October 5, 1981
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
Pipeline: treatment, rewrite, correspondence, step outlines
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
Port Arthur driving w/Cliff & Jack, museum part 4, August 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Port Arthur end of museum interview with Curator part 5
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Posters and other oversize materials, 1970-2015
PR flyer - Radical Films series, The Ashe Grove, with early Treviño films listed
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
Press Kits, News Write-Ups, Correspondence, 1990
Archival materials received from Director Betsy Breier in conjunction with Al Reinert, American journalist, film director, screenwriter and producer. Included are documents regarding music for “Moon Struck”, correspondence with Brian Eno, Merle Haggard, a photograph shot from space during Apollo 17’s run via NASA.
