Documentary films -- Production and direction
Found in 334 Collections and/or Records:
Pete Mayes interview, August 20, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Photocopies of reviews of Antone’s: Home of the Blues
Pinetop Perkins #1 (arrival), June 17, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins #2 (hotel), June 17, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins & Gatemouth Brown sound check with Clifford, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins interview, June 18, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins interview, June 18, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins interview part 2 (playing), June 18, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins interview part 2 (playing), June 18, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins set part 1, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins set part 1 stereo mix, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins set part 2, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Pinetop Perkins set part 2 stereo mix, June 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Port Arthur driving w/Cliff & Jack, museum part 4, August 19, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Port Arthur end of museum interview with Curator part 5
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Press Kits, News Write-Ups, Correspondence, 1990
Archival materials received from Director Betsy Breier in conjunction with Al Reinert, American journalist, film director, screenwriter and producer. Included are documents regarding music for “Moon Struck”, correspondence with Brian Eno, Merle Haggard, a photograph shot from space during Apollo 17’s run via NASA.
Press Kits, News Write-Ups, Correspondence. Photo of the Moon via NASA, 1990
Archival materials received from Director Betsy Breier in conjunction with Al Reinert, American journalist, film director, screenwriter and producer. Included are documents regarding music for “Moon Struck”, correspondence with Brian Eno, Merle Haggard, a photograph shot from space during Apollo 17’s run via NASA.
Press releases from Silverstar Entertainment and Koch Vision
Cast list, synopsis, introduction of director, executive producer and producer, and biography sheet for majority of musicians in DVD. One red folder which originally housed press releases and other information.
Ray Benson, April 23, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Ray Benson, April 23, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.