Rock musicians
Found in 88 Collections and/or Records:
Marathon draft 3, with numerous notes, June 21, 2007
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 4 rewrite “first revisions since the workshop”, September 11, 2007
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 6 “rewrite after reading, need to cut down 20 min.”, January 15, 2008
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 8, February 10, 2008
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 2.6, June 11. 2007
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 3.2 (or 3.4?), June 20, 2007
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 4.2, September 24, 2007
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 5.5, with notes, January 8, 2008
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 5.7 “the version from 1-13-08" reading with notes, January 13, 2008
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon draft 7.0, January 12, 2008
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Marathon I, May 1, 2007
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Master copy of script titled Hey Joe
Contains a short note to Richard Holland describing Hale Storm as a first draft, and versions of Hey Joe, Rock Critic Murders, Pay the Devil, Hale Storm, Shadows in the Sun, (with Stephen Purvis), and two versions of In the West (with Stephen Purvis and Tom Huckabee).
Master copy of script titled Play the Devil
Contains a short note to Richard Holland describing Hale Storm as a first draft, and versions of Hey Joe, Rock Critic Murders, Pay the Devil, Hale Storm, Shadows in the Sun, (with Stephen Purvis), and two versions of In the West (with Stephen Purvis and Tom Huckabee).
Master copy of script titled Rock Critic Murders
Contains a short note to Richard Holland describing Hale Storm as a first draft, and versions of Hey Joe, Rock Critic Murders, Pay the Devil, Hale Storm, Shadows in the Sun, (with Stephen Purvis), and two versions of In the West (with Stephen Purvis and Tom Huckabee).
Non-Fiction, 1995
Notes and drafts for History of the Texas Turnpike Authority.
Notes and correspondence for Broke Not Broken: Homer Maxey’s Texas Bank War, 2014
Author Jesse Sublett’s collection of works including his research on his book 1960s Austin Gangsters: Organized Crime That Rocked the Capital; research on a book about gangster Timmy Overton; and a preliminary print of his book Armadillo World Headquarters which was co-written by Eddie Wilson. Also included are posters for his band, The Skunks, and various other posters to events where Sublett appeared, 2003-2016.
Novels, 1984-1987
Contains a letter to Richard Holland explaining the sequence of Sublett's works; a 2nd draft of Rock Critic Murders, a first draft of the book which ultimately became Tough Baby entitled Blunt Instrument, and a completely-rewritten second draft of Tough Baby entitled The Big Hurt.
One 20” x 30” poster for Marathon “read-thrus” at University of Texas Performing Arts Center; poster has a few creases and a small black stain near the bottom edge, undated
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Photocopies of clippings relating to Sublett’s writing and activities with the band The Skunks
Interviews, reviews, and notices documenting both Sublett's music career and his writing career.
Photocopies of stories appearing in The Austin Chronicle (Originals are in Box 3, Folder 8)
Articles and stories appearing in the Austin Chronicle: "The Big Tape", "X-15: The 4-Track Walkman", and "Crying on the Shoulder of the Road" (November 24, 1983); "Traveling the Hardboiled Highway", record review: Madonna (March 23, 1984); "How to Make a Record" (November 30, 1984); "Martin Fender & the Flat-Top Kid", short piece on Raymond Chandler for a feature on mystery writers (December 13, 1985).
