Rock musicians
Found in 88 Collections and/or Records:
3 Copies of the New York Times Magazine, August 26, 2001
Author Jesse Sublett’s collection of works including his research on his book 1960s Austin Gangsters: Organized Crime That Rocked the Capital; research on a book about gangster Timmy Overton; and a preliminary print of his book Armadillo World Headquarters which was co-written by Eddie Wilson. Also included are posters for his band, The Skunks, and various other posters to events where Sublett appeared, 2003-2016.
3 postcards for Boiled Concrete by Jesse Sublett, undated
Author Jesse Sublett’s collection of works including his research on his book 1960s Austin Gangsters: Organized Crime That Rocked the Capital; research on a book about gangster Timmy Overton; and a preliminary print of his book Armadillo World Headquarters which was co-written by Eddie Wilson. Also included are posters for his band, The Skunks, and various other posters to events where Sublett appeared, 2003-2016.
3 posters for the Skunks debut album, undated
Author Jesse Sublett’s collection of works including his research on his book 1960s Austin Gangsters: Organized Crime That Rocked the Capital; research on a book about gangster Timmy Overton; and a preliminary print of his book Armadillo World Headquarters which was co-written by Eddie Wilson. Also included are posters for his band, The Skunks, and various other posters to events where Sublett appeared, 2003-2016.
4 Editions of Texas Observer, 2008-2009
Author Jesse Sublett’s collection of works including his research on his book 1960s Austin Gangsters: Organized Crime That Rocked the Capital; research on a book about gangster Timmy Overton; and a preliminary print of his book Armadillo World Headquarters which was co-written by Eddie Wilson. Also included are posters for his band, The Skunks, and various other posters to events where Sublett appeared, 2003-2016.
4 posters for the Skunks reunion and CD release, undated
Author Jesse Sublett’s collection of works including his research on his book 1960s Austin Gangsters: Organized Crime That Rocked the Capital; research on a book about gangster Timmy Overton; and a preliminary print of his book Armadillo World Headquarters which was co-written by Eddie Wilson. Also included are posters for his band, The Skunks, and various other posters to events where Sublett appeared, 2003-2016.
152 page draft of Eddie Wilson’s “Armadillo” memoir, revised by Jesse Sublet in red ink. The manuscript is the first half of the draft manuscript., undated
Book manuscripts, screenplays, drafts, cartoons, clippings, correspondence, photographs, ephemera, sound recordings, and regalia documenting Sublett's careers as a rock musician and writer. Many of the drafts of Sublett's writings include handwritten annotations by the author. Copies of certain letters to Richard Holland, then-Curator of the Southwestern Writers Collection, have been retained when they shed light on some phase of Sublett's creative life.
A Celebration of Texas Writers Month, a booklet, March 7, 1996
Author Jesse Sublett’s collection of works including his research on his book 1960s Austin Gangsters: Organized Crime That Rocked the Capital; research on a book about gangster Timmy Overton; and a preliminary print of his book Armadillo World Headquarters which was co-written by Eddie Wilson. Also included are posters for his band, The Skunks, and various other posters to events where Sublett appeared, 2003-2016.
Accession 2000-102
Book manuscripts, screenplays, drafts, cartoons, clippings, correspondence, photographs, ephemera, sound recordings, and regalia documenting Sublett's careers as a rock musician and writer. Many of the drafts of Sublett's writings include handwritten annotations by the author. Copies of certain letters to Richard Holland, then-Curator of the Southwestern Writers Collection, have been retained when they shed light on some phase of Sublett's creative life.
Accession 2004-108
Book manuscripts, screenplays, drafts, cartoons, clippings, correspondence, photographs, ephemera, sound recordings, and regalia documenting Sublett's careers as a rock musician and writer. Many of the drafts of Sublett's writings include handwritten annotations by the author. Copies of certain letters to Richard Holland, then-Curator of the Southwestern Writers Collection, have been retained when they shed light on some phase of Sublett's creative life.
Accession 2008-035
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Accession 2014-054
Book manuscripts, screenplays, drafts, cartoons, clippings, correspondence, photographs, ephemera, sound recordings, and regalia documenting Sublett's careers as a rock musician and writer. Many of the drafts of Sublett's writings include handwritten annotations by the author. Copies of certain letters to Richard Holland, then-Curator of the Southwestern Writers Collection, have been retained when they shed light on some phase of Sublett's creative life.
Accession 2015-032
Book manuscripts, screenplays, drafts, cartoons, clippings, correspondence, photographs, ephemera, sound recordings, and regalia documenting Sublett's careers as a rock musician and writer. Many of the drafts of Sublett's writings include handwritten annotations by the author. Copies of certain letters to Richard Holland, then-Curator of the Southwestern Writers Collection, have been retained when they shed light on some phase of Sublett's creative life.
Accession 2015-116
Book manuscripts, screenplays, drafts, cartoons, clippings, correspondence, photographs, ephemera, sound recordings, and regalia documenting Sublett's careers as a rock musician and writer. Many of the drafts of Sublett's writings include handwritten annotations by the author. Copies of certain letters to Richard Holland, then-Curator of the Southwestern Writers Collection, have been retained when they shed light on some phase of Sublett's creative life.
Accession 2016-141
Author Jesse Sublett’s collection of works including his research on his book 1960s Austin Gangsters: Organized Crime That Rocked the Capital; research on a book about gangster Timmy Overton; and a preliminary print of his book Armadillo World Headquarters which was co-written by Eddie Wilson. Also included are posters for his band, The Skunks, and various other posters to events where Sublett appeared, 2003-2016.
Act IV with notes, May 19, 2007
The majority of material consists of working drafts of Marathon, a collaborative work with Darden Smith. Also included are CDs Murder Ballads and Noir Capers Part One and Beat Love Samples and a poster for the Marathon Read-thrus held at University of Texas Performing Arts Center. Few items were in folders; those titles appear in quotation marks.
Album cover for The Skunks special edition six song release, album titled, “What do you want…The Racket,” album containing songs, “Gimme Some,” and, “Promises,” album containing songs, “Something about you scares me,” and, “Cheap Girl,” lyrics sheet dated 1979 with lyrics to various songs
1 45-rpm record; 1 2-record set (with lyrics); 1 cassette representing the recorded output of the Skunks.
Annotated typescript of Rock Critic Murders
Contains a letter to Richard Holland explaining the sequence of Sublett's works; a 2nd draft of Rock Critic Murders, a first draft of the book which ultimately became Tough Baby entitled Blunt Instrument, and a completely-rewritten second draft of Tough Baby entitled The Big Hurt.
Annotated typescript of The History of the Texas Turnpike Authority
Notes and drafts for History of the Texas Turnpike Authority.
Annotated typescript of Tough Baby, version titled Blunt Instrument
Contains a letter to Richard Holland explaining the sequence of Sublett's works; a 2nd draft of Rock Critic Murders, a first draft of the book which ultimately became Tough Baby entitled Blunt Instrument, and a completely-rewritten second draft of Tough Baby entitled The Big Hurt.
Annotated typescript of Tough Baby, version titled The Big Hurt
Contains a letter to Richard Holland explaining the sequence of Sublett's works; a 2nd draft of Rock Critic Murders, a first draft of the book which ultimately became Tough Baby entitled Blunt Instrument, and a completely-rewritten second draft of Tough Baby entitled The Big Hurt.
